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For Our Children
(1991)
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by
Disney
Inevitably, the first thing that strikes you about this benefit album for pediatric AIDS is the lineup: It contains selections by Bob Dylan, Paul McCartney, Bruce Springsteen, Elton John, and Barbra Streisand, among other top stars. When you realize that 17 of the 20 tracks were newly recorded, For Our Children quickly becomes a must-have for fans ...
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Greatest Hits
(2005)
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by
Pat Benatar
The liner notes to Capitol's 20-track retrospective of rock goddess Pat Benatar's golden years are filled with testimonials from some of the genre's queens, both reigning (Sarah McLachlan, Tori Amos) and retired (Jane Wiedlin, Martha Davis). It's a fitting tribute to the artist, as her four-and-a-half-octave vocal range spewing arena-sized anthems ...
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More Pure 80's
(2000)
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by
Various Artists
More Pure '80s delivers just that: a collection of some of the decade's definitive pop singles. Falco's "Rock Me Amadeus," the Eurhythmics' "Would I Lie to You," and Duran Duran's "Rio" are among the highlights of this adequate compilation, which also features songs by Hall & Oates, Tears for Fears, and Pat Benatar. ~ Heather Phares, All Music ...
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I Want My 80's Box
(2001)
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by
Various Artists
Released more or less in conjunction with MTV's 20th anniversary in 2001, this triple gatefold sleeve set ( not a box as the title implies), with an appropriately gaudy 27-page book, delivers 42 typical examples of songs associated with the music channel in its fledgling years. With 35 Top Ten tracks, ten of which topped the charts, there's no ...
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The Edge of Christmas
(1995)
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by
Various Artists
There's nothing dangerous about The Edge of Christmas, rather it's a collection of contemporary Christmas songs suitable for play at even the most conservative family gathering-save for one punky number by the Ramones. Bookended by Queen's gorgeous anthem, "Thank God It's Christmas" and the Waitresses' new wave rap, "Christmas Wrapping," the ...
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Precious Time
(1981)
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by
Pat Benatar
The third time was definitely not the charm for Pat Benatar. While her debut and its follow-up, Crimes of Passion, both offered up hit singles and decent album material, Precious Time keeps the formula going without any of the songwriting magic of the first two records. The energy and momentum are there for the majority of the album, and even on ...
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Crimes of Passion
(1980)
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by
Pat Benatar
With Crimes of Passion, Pat Benatar escaped the dreaded sophomore slump, thanks in no small part to the song that would become the most well-known song of her career, "Hit Me with Your Best Shot." The rest of the album is mildly hit or miss, with a few moments of filler. Thankfully, Benatar avoids the synth-happy trends of the early '80s and ...
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True Love
(1991)
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by
Pat Benatar
A radical departure from the type of slick pop/rock she'd been embracing on albums like Tropico and Wide Awake in Dreamland, True Love found Pat Benatar embracing blues and early pre-rock R&B. Opting for less production and a much rawer approach, an inspired Benatar ditches the synthesizers and keyboards and sounds like she's leading a bar band in ...
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The Best of Pat Benatar, Vol. 1
(2001)
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by
Pat Benatar
This "priced to move" collection of Pat Benatar hits is about as thin as they come. While a few of the ten songs featured on EMI-Capitol Special Markets' Best of Pat Benatar, Vol. 1 are definitley '80s classics ("We Belong," "Promises in the Dark," "Hit Me with Your Best Shot"), the crappy packaging and inclusion of forgettable cuts like "Anxiety ...
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Harley Davidson Road Songs, Vol. 2
(1998)
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by
Various Artists
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Sounds of the Eighties
(1999)
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by
Various Artists
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Gravity's Rainbow
(1993)
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by
Pat Benatar
Gravity's Rainbow marked Pat Benatar's return to arena rock after the dismal failure of her blues album True Love. While it well-produced and carefully constructed, the album failed to capture an audience. Although she had returned to the sound that made her famous, both radio and the record-buying public had lost interest and the album slipped ...
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Best Shots
(1989)
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by
Pat Benatar
Several compilations have appeared in the years since it first hit the shelves, but Best Shots remains the finest Pat Benatar collection yet assembled, largely because it is the most concise. True, there may be a few lesser hits missing in favor of a couple newly recorded songs -- "Sex as a Weapon," "Treat Me Right," "I Need a Lover," "Little Too ...
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Classic Masters
(2002)
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by
Pat Benatar
While some of the entries in the ongoing Capitol Records Classic Masters series simply do not get the track listing right, the Pat Benatar version includes nearly all of the expected hits. Benatar was one of the leading female rockers of the early-to mid-'80s (post-Debbie Harry, pre-Madonna), and her Classic Masters entry wisely focuses primarily ...
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All Fired Up: The Very Best of Pat Benatar
(1994)
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by
Pat Benatar
All Fired Up: The Very Best of Pat Benatar is an excellent two-disc compilation on one of rock & roll's first ladies. Her previous hit collection, Best Shots, was too brief (and is now outdated), and 1999's Synchronistic Wanderings is a little too much for the casual (or even devoted) fan -- this set is just right. All of Pat Benatar's charted ...
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Very Best Album Ever
(2002)
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by
Pat Benatar
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Synchronistic Wanderings
(1999)
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by
Pat Benatar
Pat Benatar was certainly one of the best arena rockers of the early '80s. Not only did she sell albums, but she made records that sounded great on the radio -- "Heartbreaker," "Hit Me with Your Best Shot," "Shadows of the Night," "I Need a Lover," "Love Is a Battlefield," "We Belong," "Invincible," "Sex as a Weapon," even the latter-day "All ...
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Rock On 1985
(1996)
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by
Various Artists
Volume 16 in Madacy's year-by-year overview of the biggest hits of the'70s and '80s charts the beginning of the latter decade's descent into mediocrity -- the excitement of the New Wave and New Romantic movements had given way to the more conventional sounds of Survivor ("The Search Is Over") and Corey Hart ("Never Surrender"), although the ...
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Innamorata
(1997)
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by
Pat Benatar
Pat Benatar's forgotten 1997 album, Innamorata, is an acoustic-heavy collection in keeping with the organic, acoustic trend popular in the '90s, yet still incorporates Benatar's trademark rock & roll soul. The songs on this set are not the traditional electric guitar fare -- these songs are fleshed out with strings and acoustic guitars, yet they ...
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8-15-80
(1998)
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by
Pat Benatar
8-15-80, in many ways, is a minor treasure for dedicated Pat Benatar fans: Benatar was captured live in San Francisco, just as she was launching the supporting tour for her second album, Crimes of Passion. Since that record and its predecessor, In the Heat of the Night, are generally considered her best albums, it's not surprising that this ...
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Christmas in Your Ear
(1997)
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by
Various Artists
EMI-Capitol Special Markets' Christmas in Your Ear is intended to be a raw, aggressive, rockin' holiday record for all those rockers out there. Problem is, most of the ten songs are hardly "in your ear." Also, rock and Christmas aren't necessarily a match made in heaven, as illustrated by such cuts on Christmas in Your Ear as Billy Squier's ...
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Bitchin' Hits: Fantastic Femmes
(2000)
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by
Various Artists
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Only Rock 'N Roll 1980-1984: 20 Pop Hits
(1996)
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by
Various Artists
Not to be confused with Only Rock 'N Roll 1980-1984: #1 Radio Hits, Only Rock 'N Roll: 1980-1984 is a strong sampler of Top 40 pop/rock from the first half of the '80s, albeit one that's largely interchangeable with similar compilations. Most everything here reached at least the Top Ten on the Billboard singles chart, and most everything here is ...
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Back To Back Hits (EMI)
(1996)
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by
Blondie/Pat Benatar
CEMA Special Markets' Back to Back Hits features a selection of four or five songs each from two separate artists -- in this case, four songs each from Blondie and Pat Benatar. Blondie fairs better, since each song -- "Call Me," "Heart of Glass," "The Tide Is High," "Rapture" -- was a hit, while Pat Benatar only has "Heartbreaker," "Hit Me with ...
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Go
(2003)
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by
Pat Benatar
For her first studio album in half a dozen years, Benatar returned with a fairly characteristic and varied set of mainstream rock, longtime cohort Neil Giraldo in the producer and co-songwriter chair (in addition to playing much of the music). While her voice is in fine shape, capable of hard rockers and more measured ballads, there isn't anything ...
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