For many years, this 13-song collection was the best introduction to Peter, Paul & Mary that one could find. Not only did it contain all of the trio's hits, but it was also, until 2005's Warner/Rhino compilation The Very Best of Peter, Paul & Mary, the closest thing to a cross-section of the group's sound that existed. From the acoustic folk sound ...
It speaks well for the continued viability of their catalog (probably second only to Bob Dylan's among '60s folk artists) that this is only the sixth compilation ever done on Peter, Paul & Mary's music in four decades of musical activity -- and since one of the others was a Readers' Digest mail-order release and two of the others were done for ...
By their fifth album, Peter, Paul & Mary had fallen into a consistency of approach that could be viewed as either dependable or predictable. This had the usual assortment of traditional songs ("Motherless Child," "The Cuckoo"), songs that had first gained an audience during prior folk revivals ("Wasn't That a Time"), a bit of original material, ...
The debut album by Peter, Paul & Mary is still one of the best albums to come out of the 1960s folk music revival, a beautifully harmonized collection of the best songs that the group knew, stirring in its sensibilities and its haunting melodies, crossing between folk, children's songs, and even gospel ("If I Had My Way"), and light-hearted just ...
...Peter, Paul And Mary continue their folk music magic for children. The album was recorded before a live audience of children and their families and feature the trio's renowned harmonies on such folk classics as "Puff the Magic Dragon," "We Shall Overcome," and "The Fox." ~ MusD, All Music Guide
This double album opens with a then-new Bob Dylan song, "The Times They Are A' Changin'," and closes with the best-known song ever written by Pete Seeger and Lee Hayes, "If I Had a Hammer." That seems to sum up Peter, Paul & Mary, but In Concert offers a lot more than that. The surprises include vignettes in blues and gospel, and, most notably, ...
This particular reissue gets a lower audio rating because of a general music mix that comes across as far too busy, between the usual guitars (picked with folky enthusiasm), the vocal arrangements (often with children incorporated), and the addition of not only acoustic bass (heard before on the group's albums), but banjo, autoharp, hammer ...
For a 1967 album that managed to yield a number one hit single and an additional Top Ten smash, Album 1700 was pretty out of sync with contemporary trends. This is not exactly a rock record, but the trio was unquestionably making more use of backup musicians and arrangements that owed a bit to pop/rock. (Paul Butterfield, Paul Winter, Canadian ...
After leaving their longtime label home at Warner Bros. Records following the 1978 LP Reunion, Peter, Paul & Mary went the independent, self-releasing route before signing to start-up company Gold Castle for 1986's No Easy to Walk to Freedom. Two albums later, Gold Castle had gone belly up, and the trio returned to Warner on a one-off basis for ...
The trio's second album is a little less distinctive than its predecessor, which doesn't mean that it isn't a beautiful record -- just less obviously compelling in its melodies, and perhaps slightly less optimistic in mood. Having expended some of their best material on their debut, the trio reached further for songs here, including the Paul ...
Their third recording was one of the group's stronger outings, even if it confirms their status as folk popularizers rather than musical innovators. In particular, this record was essential to boosting the profile of Bob Dylan, including their huge hit cover of "Blowin' in the Wind," their Top Ten version of "Don't Think Twice, It's All Right," ...
Including four new tracks, the two-disc set Around the Campfire is an excellent overview of Peter, Paul & Mary's career as it nears the four-decade mark. As indicated by the title, the focus of the collection is to shine a spotlight on songs that express ideals of community, tunes commonly sung in schools and churches as well as at more intimate ...
For their first new album since 1995's Lifelines, veteran folk trio Peter, Paul & Mary haven't changed things around much. Although their voices are a little less angelic (at least in the normal sense), the quavering, breathy vocals carry a kind of earned wisdom that they could only hint at 40 years ago, and it makes the group's delivery of these ...
This outstanding album offers children's classics of the past fifty years featuring original recordings of these great artists. Titles include: Sweet Honey in the Rock--"Little Red Caboose," and James Taylor--"Jelly Man Kelly," Loggins and Messina--"House at Pooh Corner," Judy Garland--"Over the Rainbow," Burl Ives--"Polly Wolly Doodle," Pete ...
Amazingly, this is only the second compilation (discounting the mail-order only Readers Digest set) in the history of Peter, Paul & Mary, and it is the perfect compliment to Ten Years Together: The Best of Peter, Paul & Mary. Drawn primarily from the trio's 1980s and 1990s material, it's a profile of the group's most serious songs from their ...
As far as PPM themselves are concerned, this album is much more representative of their sound than the 1978 Reunion LP was. Recorded live in New York City in October of 1981, it was originally released in America on the Peter Paul & Mary label (and later picked up by Warner Bros.), during the period in which the trio was between contracts. The ...
See What Tomorrow Brings is a strong album that plays to the strengths of Peter, Paul, & Mary. There is a good variety of material within their folk format, and a nice esprit de corps that pervades the recording. All members sing lead, which brings a good balance to the proceedings. Worth noting are two early versions of Gordon Lightfoot's ...
After listening to this multi-artist two-CD celebration of Pete Seeger's songs, you'll be delighted to read in the liner notes that it's "just the beginning of at least four volumes." Producer Jim Musselman calls the package a "labor of love," and that's clearly what it was. Musselman did a terrific job of choosing the songs from Seeger's vast ...
Peter, Paul & Mary's multi-decade career is for the most part well summarized, and certainly extremely well packaged, on this four-CD, 90-track box set. As with many such boxes, there's too much on here if you're not a devoted fan, and too much in particular from their post-early-'70s recordings, which take up all of disc four. But it does, of ...
This volume of Casey Kasem's America's Top Ten series focuses on the folk-tinged pop of the 1960s, drawing heavily from the perennial classics, but including a few "deep cuts" as well. There's defining material like the Byrds' timeless "Mr. Tambourine Man," "Get Together," from the Youngbloods, the youthful yearn of the Grass Roots' "Let's Live ...
The successes of the breakthrough soundtrack from the film O Brother Where Art Thou? and the in-depth PBS television series Ken Burns' Jazz seem to have combined in the 2001 production of Palm Pictures' four-part TV series American Roots Music. The series touches on the development of the distinctly American styles of traditional folk, country, ...
Sing America is a benefit album for Save America's Treasures, an institution that intends to preserve "our nation's glorious heritage -- our monuments, parks, archives and landmarks...from sea to shining sea." Since it's such a good cause, it's hard to criticize an album as weirdly incoherent as this. Any record that opens with Leonard Bernstein's ...
Peter, Paul & Mary's 1995 album LifeLines Live was a kind of "duet" album that found them sharing microphones with such mentors as the surviving Weavers, such contemporaries as Judy Collins, and such descendants as John Gorka, performing a set of old favorites and a few new songs. In January 1996, the trio staged a TV concert at Sony Studios in ...
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