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Canyon Trilogy, Vol. 5
(1989)
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by
R. Carlos Nakai
Canyon Trilogy represents a return to the simplicity of Carlos Nakai's earlier albums such as Changes and Journeys. There are no additional instruments here, no rattles, and no chanting, just his haunting flutes, either solo or multi-tracked. The "trilogy" in the title refers to the three sections of the tape -- "Dawn's Mirage," "Dreamscapes," and ...
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Thanksgiving: A Windham Hill Collection
(1998)
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by
Various Artists
A Thanksgiving recording? That's what the folks at Windham Hill have proposed. Whether or not the theme truly makes sense is quickly made irrelevant by the beautiful performances. Of particular note is the stunning performance of "We Gather Together" by Paul McCandless, Philip Aaberg, and Michael Manring. The entire set is a consistently beautiful ...
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Earth Spirit
(1987)
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by
R. Carlos Nakai
R. Carlos Nakai has been at the forefront of Native American artists since the mid- to late '80s (around the time of release of this CD). On Earth Spirit, his acoustic reveries are direct and true. Each of the 15 compositions comes from Nakai's heart and goes to listeners' hearts. Two of the compositions are for the "eagle's bone whistle," the ...
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Music as Medicine
(2005)
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by
Nawang Khechog/R. Carlos Nakai
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Prophecy
(1999)
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by
Various Artists
Prophecy collects some of the finest Native American recordings from premier new age label Hearts of Space. Ambient soundscapes surround flutes, drums and sacred chants, evoking the unity of humanity and nature. Many prominent Hearts of Space artists contributed to Prophecy, including R. Carlos Nakai, Coyote Oldman, Joanne Shenandoah, Soulfood and ...
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Emergence, Vol. 6
(1992)
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by
R. Carlos Nakai
Emergence, Vol. 6 is another acoustic ambient CD from the sound worlds of R. Carlos Nakai. In the hands of this master, the Native American flute becomes a paintbrush, with the entire universe as a canvas. Nakai mixes traditional folk melodies with original compositions and improvisations to create his masterpiece. This is not a paint-by-numbers ...
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Inside Canyon de Chelly
(1997)
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by
Paul Horn & R. Carlos Nakai
Paul Horn, one of the leading proponents of solo improvisational flute, collaborates here with Native American flute player R. Carlos Nakai in a genuinely equal pairing. As with some of Paul Horn's earlier Inside albums, this is a field recording, done in two weeks inside of Canyon De Chelly and capitalizing on its natural acoustics. Listen to ...
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Winter Dreams for Christmas
(1990)
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by
R. Carlos Nakai & William Eaton
Navajo flautist Carlos Nakai first collaborated with guitarist William Eaton on the haunting and panoramic album Carry the Gift. Here they turn their talents to reflective interpretations of traditional Christmas carols, with the self-penned "The First Snowfall" thrown in for good measure. In addition to guitar, William Eaton also plays lyre and ...
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Migration
(1992)
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by
Peter Kater/R. Carlos Nakai
Migration seems almost capable of sweeping away any sense of trouble, and soothing out any fears. The music on the album is basically of an improvisational nature, with pianist Kater and flautist Nakai developing themes and ideas that were then fleshed out in the process of recording. The music was conceived originally as a foundation for personal ...
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Tribal Winds: Music From Native American Flutes
(1996)
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by
Various Artists
The straightforwardly named Tribal Winds: Music From Native American Flutes gathers 13 performances by Native American and Native American-inspired flutists such as Joseph Fire Crow, Keith Bear, and Bryan Akipa, most of which mix percussion, subtle synths, and nature recordings into the music. Fire Crow's "Creator's Prayer," Andrew Vasquez's ...
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In a Distant Place
(2000)
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by
R. Carlos Nakai/William Eaton/Will Clipman/Nawang
R. Carlos Nakai has made a career of weaving his soulful flute playing into the music of many talented collaborators. On this release, he teams up with Tibetan avant-garde flutist Nawang Khechog. The two traditions, Tibetan and Native American, mesh together well. Both styles have a breathy, ethereal quality that lends itself to soaring ...
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How the West Was Lost
(1993)
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by
Peter Kater & R. Carlos Nakai
In 1993, the Discovery Channel aired a six-hour miniseries documenting the experience of the Native Americans during America's westward expansion. Peter Kater created a three-hour score for How the West Was Lost. He captured 65 minutes of his favorites for the CD. His friend R. Carlos Nakai co-wrote many of the pieces and is one of the featured ...
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Mythic Dreamer
(1997)
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by
R. Carlos Nakai
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Our Beloved Land
(2005)
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by
R. Carlos Nakai
A duet album with guitarist Keola Beamer, R. Carlos Nakai's Our Beloved Land is one of the singer and flutist's more traditional albums. With a track list composed mostly of traditional songs and arrangements that tend toward simple acoustic guitar and reeds, with occasional electronic coloring to fill in the sound, Our Beloved Land isn't as ...
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Ancestral Voices
(1992)
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by
R. Carlos Nakai & William Eaton
R. Carlos Nakai is one of the world's leading virtuosos on the Native American (or cedar) flute. Unfettered by its technical limitations, he explores the expressive qualities of the instrument. William Eaton is one of the world's leading performers on and inventors of plucked string instruments. Together, Nakai and Eaton share a passion for ...
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Tribal Waters: Music from Native Americans
(1998)
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by
Various Artists
Tribal Waters is part of the four-part "Tribal" series that also features Tribal Winds, Tribal Voices, and Tribal Fires. The allusion to elemental forces should serve as a tip-off: Tribal Waters is not American Indian music per se, it's new age. A cursory listening confirms the diagnosis: instead of confining itself to drum, flute, and chant (with ...
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Inner Voices
(1999)
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by
R. Carlos Nakai
Featuring recastings of past compositions, Inner Voices teams the haunting Native American flute of R. Carlos Nakai with the sumptuous yet delicate string arrangements of Billy Williams. It's an opportunity to hear Nakai in something of a different setting, and it's also a highly effective setting: his melodies thrive under the string treatments, ...
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Philip Glass: The Concerto Project, Vol. 2
(2006)
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by
Jillon Stoppels Dupree (harpsichord), Paul Barnes (piano), R. Carlos Nakai (native american flute), Seattle Northwest Chamber Orchestra, Ralf Gothoni (conductor)
Philip Glass has always been canny about finding venues for his music, and this has helped him realize large-scale projects like his operas of the 1970s and 1980s. In the years since then, even if he has not made something personal about his minimalist language in the way that his contemporary Steve Reich has, he has realized that his style can be ...
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In Beauty, We Return
(2004)
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by
R. Carlos Nakai
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Honorable Sky
(1994)
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by
Peter Kater and R. Carlos Nakai
Honorable Sky by Peter Kater and R. Carlos Nakai is a continuation of their acclaimed acoustic music accomplishments. Piano, flute and alto sax flow together seamlessly in sound so subtle--sometimes just barely a whisper--it begs your attention. Awarded the best New Age recording in 1992 by NAIRD and composers of the soundtrack to the successful ...
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Big Medicine
(1998)
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by
R. Carlos Nakai
Big Medicine's liner notes describe R. Carlos Nakai Quartet's first album as "a new jazz expression haunted by the experience of native America." It's an excellent description. Whether you call it jazz fusion or new age, it undeniably strikes a new chord in the spectrum of Native American music. Drawing upon diverse influences, such as Ornette ...
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Spirit Horses (Concerto for Native American Flute and Chamber Orchestra)
(1993)
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by
R. Carlos Nakai
Just when you think you've pigeonholed Carlos Nakai as the quintessential interpreter of traditional Native American flute music, he appears with an entirely different expression of his musical gifts. Spirit Horses may catch many of you off guard. As a collaborative exploration of contemporary music in the classical vein, it is unlike anything he ...
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Tribal Fires: Contemporary Native American Music
(1997)
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by
Various Artists
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Desert Dance
(1989)
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by
R. Carlos Nakai
Desert Dance is R. Carlos Nakai's response to his own Sundance Season. That CD is in homage to an existing ritual. This CD is Nakai's personal "ritual about the ever changing beauty of the San Luis Valley and the rain-laden sweep of clouds over Crestone and Lindisfarne." This deeply spiritual statement is a complete improvisation that Nakai ...
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Precious Waters: River of Life
(1995)
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by
Various Artists
This new collection of compositions by some of Narada's finest artists celebrates one of nature's most endearing elements and the link it presents to all living beings. Timed to coincide with the 25th anniversary of Earth Day, this compilation features expressive, dramatic musical interpretations by such artists as keyboardist David Arkenstone, ...
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