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Kid A
(2000)
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Radiohead
Instead of simply adding club beats or sonic collage techniques, Radiohead strive to incorporate the unsettling "intelligent techno" sound of Autechre and Aphex Twin, characterized by its skittering beats and stylishly dark sonic surfaces, for Kid A. To their immense credit, Radiohead don't sound like carpetbaggers, because they share the same ...
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The Bends
(1995)
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Radiohead
Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attack that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair -- it's cerebral anthemic rock. Occasionally, the album ...
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OK Computer
(1997)
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Radiohead
Using the textured soundscapes of The Bends as a launching pad, Radiohead delivered another startlingly accomplished set of modern guitar rock with OK Computer. The anthemic guitar heroics present on Pablo Honey and even The Bends are nowhere to be heard here. Radiohead have stripped away many of the obvious elements of guitar rock, creating music ...
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Hail to the Thief
(2003)
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Radiohead
Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or ...
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Amnesiac
(2001)
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by
Radiohead
Faced with a deliberately difficult deviation into "experimentation," Radiohead and their record label promoted Kid A as just that -- a brave experiment, and that the next album, which was just around the corner, really, would be the "real" record, the one to satiate fans looking for the next OK Computer, or at least guitars. At the time, people ...
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Pablo Honey [12 Track Version]
(1993)
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by
Radiohead
Radiohead's debut album, Pablo Honey, is a promising collection that blends U2's anthemic rock with long, atmospheric instrumental passages and an enthralling triple-guitar attack that is alternately gentle and bracingly noisy. The group has difficulty writing a set of songs that are as compelling as their sound, but when they do hit the mark -- ...
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Now, Vol. 1
(1998)
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by
Various Artists
The original Now That's What I Call Music! series began in the U.K. in 1983. Since then, a few additional volumes have been added during each successive year. For pop fans in the U.K., the series has become a reliable and timely way to pick up a bunch of chart hits in one shot, and it tends not to discriminate between genres, meaning that it ...
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Com Lag (2Plus2IsFive)
(2004)
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Radiohead
Useful only to the most devoted Radiohead followers (who will probably have most of the contents to begin with), Com Lag is a patchwork of live material, remixes, B-sides, and other assorted scraps. Naturally, the release isn't nearly as cohesive as Hail to the Thief; its apparent intent is to supply the fans with another stream of the band's ...
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Hail to the Thief [Limited Edition]
(2003)
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by
Radiohead
Radiohead's admittedly assumed dilemma: How to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or ...
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Kid A [Limited Edition]
(2008)
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by
Radiohead
Instead of simply adding club beats or sonic collage techniques, Radiohead strive to incorporate the unsettling "intelligent techno" sound of Autechre and Aphex Twin, characterized by its skittering beats and stylishly dark sonic surfaces, for Kid A. To their immense credit, Radiohead don't sound like carpetbaggers, because they share the same ...
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In Rainbows
(2007)
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by
Radiohead
In Rainbows, as a title, implies a sense of comfort and delightfulness. Symbolically, rainbows are more likely to be associated with kittens and warm blankets than the grim and glum circumstances Radiohead is known for soundtracking. There's a slight, if expected, twist at play. The band is more than familiar with the unpleasant moods associated ...
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I Might Be Wrong: Live Recordings
(2001)
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by
Radiohead
For their third release in 13 months, Radiohead let loose a mini-album of live material culled from four European dates and slapped them together into their standard excellent packaging adorned with manic drawings, scribbles, and text excerpts. I Might Be Wrong: Live Recordings, originally scheduled as a single for "I Might Be Wrong," is precisely ...
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My Iron Lung EP
(1994)
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by
Radiohead
The import EP My Iron Lung is as close to a forgotten, long-lost Radiohead album as you can get. Although marketed and priced as an EP, it contains eight tracks, seven of which are unavailable anywhere else, and is half an hour long (which more than meets the criteria for a full-length). But besides its length, what makes My Iron Lung such a find ...
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Airbag/How Am I Driving? [EP]
(1998)
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by
Radiohead
Since Radiohead have released numerous European CD singles over the years, with many of their B-sides being as strong as their album material, they decided to compile the best six B-sides recorded during the OK Computer sessions and release it domestically. Each song is a little gem, such as the glossy noise of "Pearly," and the gigantic sound of ...
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Itch
(1998)
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by
Radiohead
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This Is Fort Apache
(1995)
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by
Various Artists
This is Fort Apache was a collection of songs by artists who had released records on the Fort Apache label. It is also a very predictable collection of 1990s alternative rock. Not that the songs are bad by any means, but they certainly don't break any new ground. Juliana Hatfield sounds exactly as one would expect on "Here Comes the Pain," Buffalo ...
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Chillout 2002: The Ultimate Chillout
(2002)
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by
Various Artists
Chillout 2002: The Ultimate Chillout is one of the many post-2000 CDs designed for winding down, electronica style. Unfortunately, the album takes the same route as so many compilations do and places all of the strongest, big-name material in the first half so the second half can't help but sound underwhelming. Dido, Coldplay, Radiohead, Sarah ...
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Go to Sleep [US]
(2003)
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by
Radiohead
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Fake Plastic Trees [US #2]
(2000)
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by
Radiohead
The B-sides of the incredible "Fake Plastic Trees" are more gentle than those of the "High and Dry" EPs. Part one has two (shock!) non-LP tracks, "India Rubber" and "How Can You Be Sure." Both are the subdued, acoustic side of the band, as per The Bends' "Nice Dream." Part two contains acoustic versions of "Fake Plastic Trees," "Bullet Proof...I ...
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Street Spirit (Fade Out) [US #1]
(1995)
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by
Radiohead
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MTV2 Handpicked
(2002)
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by
Various Artists
This various-artists album dedicated to rock performers and tied into MTV2's Handpicked special is enough to convince anyone concerned with the state of rock that there's nothing to worry about. The artists are at different points in their careers, with some well-established names, some that were recently established at the time that the album was ...
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Naked 4-Play
(2000)
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by
Various Artists
From Boston modern rock outlet WBCN comes this set of live material. There's stuff from big-league types like Stone Temple Pilots ("Interstate Love Song"), as well as hometown heroes Aerosmith ("Walk This Way") and Mighty Mighty Bosstones, who run amiably through their somewhat unlikely alternative radio hit "The Impression That I Get." Radiohead ...
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Ka-Boom!
(1999)
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by
Various Artists
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Amnesiac [Limited Edition]
(2001)
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by
Radiohead
Faced with a deliberately difficult deviation into "experimentation," Radiohead and their record label promoted Kid A as just that -- a brave experiment, and that the next album, which was just around the corner, really, would be the "real" record, the one to satiate fans looking for the next OK Computer, or at least guitars. At the time, people ...
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Knives Out [US CD]
(2001)
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by
Radiohead
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