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Vuelta
(2004)
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by
Richard Shindell
When Richard Shindell moved to Buenos Aires in 2000, it seemed logical that his next set of songs would reflect the sights, sounds, and culture of his new home. With each new experience or discovery, it must have been tempting for Shindell to incorporate all those Latin flavors and influences into his songs and, basically, let the surroundings ...
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When October Goes: Autumn Love Songs
(1991)
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by
Various Artists
A compilation of outstanding singer/songwriters, it was assembled by Christine Lavin. ~ Richard Meyer, All Music Guide
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South of Delia
(2007)
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by
Richard Shindell
Ever since Elton John and Bernie Taupin released Tumbleweed Connection a variety of artists have dipped into that old west quasi-country world, a place somewhere between Triple A and country radio, but not really part of either. "Acadian Driftwood" is a strong opening track, pedal steel, accordion and violin all played with a grasp of what the ...
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Courier
(2002)
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by
Richard Shindell
Richard Shindell has been hailed as an imaginative storyteller whose knack for simple melodies and stark ambiance has bestowed him with a healthy worldwide fan base. Cutting out a career for himself as a literary minded tunesmith, the former seminarian has released five albums since he arrived on the folk scene in 1992 with Sparrow's Point on ...
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Sparrows Point
(1992)
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by
Richard Shindell
A strong debut release "à la Eric Andersen." Shindell's songwriting is intense at times ("Sparrows Point," "The Courier," "On the Sea of Fleur de Lis"). His "Kenworth of My Dreams" is the classic blue-collar truck-driver song, and the title song should not be missed, either. "Are You Happy Now" is the most commercial song -- very strong. This is ...
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Reunion Hill
(1997)
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by
Richard Shindell
In "The Next Best Western," the opening track of this terrific collection of tunes, life on the road takes its toll both literally and figuratively. The narrator goes so far as to question God's motives as he rolls along the turnpike: "Did he who made the lamb/Put the tremble in the hand/That reaches out to take my quarter?" Indeed, Shindell works ...
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Big League Babe, Vol. 1: The Christine Lavin Tribute Album
(1997)
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by
Various Artists
Christine Lavin's first album for 1-800-Prime, Big League Babe, Vol. 1, finds the singer-songwriter in familiar but appealing form, turning out a set of humorous urban folk songs. As always, if you don't share Lavin's sense of humor, you won't get into the album, but for longtime fans, there's a fair share of delights here. ~ Thom Owens, All Music ...
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We Are Each Other's Angels
(2000)
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by
Various Artists
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Blue Divide
(1994)
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by
Richard Shindell
While not as startlingly original as Sparrow's Point, Shindell's second CD is still far better than the work of his many contemporaries. His political songs, "Arrowhead" and "Fishing," make their points as affecting stories well told rather than by posturing. Never one to shy away from difficult subjects, the "Ballad of Mary Magdalene" is a ...
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Kerrville Folk Festival: 25th Anniversary Album
(1998)
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by
Various Artists
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Not Far Now
(2009)
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by
Richard Shindell
On Not Far Now, his first album of mostly new original songs in five years, Richard Shindell continues to write and perform musical short stories that examine the lives of society's outcasts in terms of political and spiritual hierarchies. In the leadoff song, "Parasol Ants," a thief lies on the ground only to discover that, as far as the ants ...
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The Postcrypt
(1995)
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by
Various Artists
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Beat
(2001)
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by
Various Artists
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Main Stage Live: The Falcon Ridge Folk Festival Album
(1999)
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by
Various Artists
As the title suggests, Main Stage Live: Falcon Ridge Folk Festival showcases some of the concert's highlights, including Dar Williams' "If I Wrote You," the Nields' "James," Greg Brown's "The Poet Game," Viva Quetzal's "Mantaca" and Peter Mulvey's "Smell The Future." This compilation provides a representative look at the festival's diverse, yet ...
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W. 4th & 6th Ave.: Selections from The Greenwich Village Folk Festival
(1991)
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by
Various Artists
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Somewhere Near Paterson
(2000)
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by
Richard Shindell
The opening track on Richard Shindell's fourth album is called "Confession," but most of his compositions on the record could have been given the same title, since they are first-person story songs in which one character reveals something to another. In "Confession," a fallen-Catholic stock broker talks about himself as a means of wheedling more ...
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