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Boxer
(2007)
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by
The National
The National don't do anything radically different on Boxer, but then again, they don't really need to: their literate, quietly anthemic take on indie rock seemed to have arrived fully formed on their 2001 self-titled debut. Boxer just hones in even more precisely and intimately on the heartfelt territory the band covers, with punchy-yet-polished ...
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Alligator
(2005)
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by
The National
The National may sound like a garage band turned down, but there's as much primal energy lurking behind Alligator as in any mop-topped group of city kids with bloodstained Danelectros in a dusty warehouse. While Matt Berninger's lyrics and conversational delivery rely heavily on the kind of literate self-absorption that fuels so much of the indie ...
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Sad Songs for Dirty Lovers
(2003)
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by
The National
For a band that's been compared to Joy Division, Leonard Cohen, Wilco, and Nick Cave & the Bad Seeds, the National sure sounds a lot more like the Czars or Uncle Tupelo on this sophomore album Sad Songs for Dirty Lovers. Where the band might lack Joy Division's angular fury, Cohen's existentialism, and Cave's vampiric attack, vocalist Matt ...
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Cherry Tree
(2004)
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by
The National
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Stars and Stripes Forever, Vol. 2
(1998)
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by
Various Artists
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Civil War 1: The Confederacy
(1991)
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by
Richard Bales and the National Gallery Orchestra
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Citizen Kane: The Classic Film Scores of Bernard Herrmann
(1974)
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by
Charles Gerhardt & The National Philharmonic Orchestra
Citizen Kane: The Classic Film Scores of Bernard Herrmann is probably the best of the entire series by conductor Charles Gerhardt and the National Philharmonic Orchestra. Every track is worthwhile and memorably played, especially Beneath the 12-Mile Reef and the suite from Citizen Kane, the latter highlighted by Kiri Te Kanawa's performance of the ...
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Dekkagar
(2002)
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by
The National Trust
Given the seemingly haphazard trajectory of National Trust main man Neil Rosario's past efforts in woozy noise-blues outfits like Dolemite and Red Red Meat, Dekkagar isn't just surprising, it's damn near revelatory -- a sumptuously symphonic soul record echoing the classic Philly sound (with hints of Shuggie Otis-styled psychedelia, vintage Prince ...
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Kings and Queens
(2006)
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by
The National Trust
A much more elaborate and slicker production than 2002's Dekkagar, the National Trust's second album involves a supporting cast numbering in the thirties. The help includes session bassist Charles Hosch (the Emotions, Teddy Pendergrass), engineer Abel Garabaldi (R. Kelly, Ciara), and an eight-piece horn section called Hypnotic (all members are the ...
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Total Recall
(1990)
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by
Jerry Goldsmith & the National Philharmonic Orchestra
This Jerry Goldsmith soundtrack release is worth extended attention. The album is pulsingly rhythmic from the start, beginning with syncopation driven by whipcrack percussion and a clock-precise digital synthesizer pulse, on which Goldsmith builds ascending orchestra chords that sneakily reference Mars from Holst's The Planets without utterly ...
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Glorious
(1993)
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by
Larry Dalton And The National Philharmonic Orchestra Of London
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Does the Moment Ever Come?
(1999)
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by
Graham Bickley & the National Symphony Orchestra
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The Dead Will Walk, Dear
(2007)
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by
The National Lights
The Dead Will Walk, Dear is one creepy little record. Without ever breaking a sweat or rising above a near-whisper -- not since the Cowboy Junkies came onto the scene has a band gone about its business so quietly and sloooowly -- the National Lights proffer ten songs of death and sex and blood and guns and bodies and bones and water and not much ...
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Can't Stop Casper Adams
(2000)
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by
The National Acrobat
There is something loud out of Louisville, something exploding out of the Appalachians with a tumbling rumble -- it's the National Acrobat. A few years after their inception, this group released a CD that starts out like concentrated hardcore, turns post-progressive mathy, and culminates in a paroxysm of cacophony and sampled conversation. ...
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Psycho [1975]
(1975)
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by
Bernard Herrmann & the National Philharmonic Orchestra
Performed by The National Philharmonic Orchestra conducted by the composer. An early champion of new music, conducting premieres of several Charles Ives scores in the 30's, Herrmann completely changed the idea of the filmscore from heavily operatic and kitschy "incidental music" to using only the barest of melody-like gestures or patterns in pure ...
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Homrong: The National Dance Company of Cambodia
(1991)
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by
The National Dance Company of Cambodia
A number of traditional songs as performed by the National Dance Company of Cambodia, some ten years after the reformation of the Ministry of Culture (after Pol Pot's regime had been put down). The compositions are largely traditional works here, with the various genres ranging from full classical to semi-classical to wedding and folk songs. The ...
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Korean Court Music
(1993)
by
Orchestra of the National Music Institute
Part of Lyrichord's never-ending mission to showcase every music culture possible, this collection of Korean Court Music was released, presumably in 1991. All of the music here is of the Confucian style, A-ak (as opposed to the Tang style, Tan-ak, or the Native Korean Yan-ak), as only the Confucian style of court music is still practiced. The ...
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Mistaken for Strangers
(2007)
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by
The National
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The National
(2001)
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by
The National
This Ohio-based band strikes a lush, adorable balance between the country-pop of bands such as Jayhawks and Golden Smog and the gloomy, depressing crooning of Tom Waits. Lead singer Matt Berninger manages to transcend leveling the fine background with some reflection and introspection on "Cold Girl Fever" and "Watching You Well." The country hues ...
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Come on Over to the Other Side
(2008)
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by
The National Bank
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Ransom [Original Soundtrack]
(1975)
by
Jerry Goldsmith/The National Philharmonic Orchestra of London
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A Skin, A Night + The Virginia
(2008)
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by
The National
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The National Bank
(2004)
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by
The National Bank
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