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Classic Railroad Songs from Smithsonian Folkways
(2006)
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by
Various Artists
Smithsonian Folkways ninth installment of its popular Classic Series chronicles the golden age of the American railroad. Classic Railroad Songs from Smithsonian Folkways picks up where 2004's Classic Maritime Music collection left off, unearthing previously unheard of gems from their archives along with classics from some of the genre's finest ...
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The Best of Frank Stokes
(2005)
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Frank Stokes
The music -- a meld of blues and older, more satiric songster-inspired material, as well as gospel-influenced sides -- speaks for itself on this, the widest-ranging and best-sounding collection of Frank Stokes' work issued on CD. The Best of Frank Stokes, released by Yazoo, combines the highlights of such previous releases as Frank Stokes' Dream ...
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The Long Road to Freedom: An Anthology of Black Music
(2001)
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by
Various Artists
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Anthology of American Folk Music, Vol. 4
(2000)
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by
Various Artists
The Harry Smith-compiled three-volume Anthology of American Folk Music set, originally released in the 1950s and reissued to much brouhaha in 1997, was one of the most important records in launching the folk revival. It was not well known, though, that Smith compiled a fourth volume that was unissued. Revenant finally put it out in 2000, and like ...
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Masters of Memphis Blues
(2004)
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by
Various Artists
JSP's Masters of Memphis Blues compiles four CDs of performances by Furry Lewis, Stokes & Sane, Gus Cannon as Banjo Joe, Frank Stokes, Allen Shaw, Robert Wilkins, and Little Buddy Doyle. It's hard to go wrong with these 101 recordings cut between 1927 and 1939. The tracks have been remastered, making the majority of this material sound great. ...
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Raunchy Business: Hot Nuts & Lollypops
(1991)
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by
Various Artists
This sex-based set of early blues-oriented recordings has 19 double entendre songs and a humorous (and quite profane) "alternate" version of Lucille Bogan's "Shave 'Em Dry" that still could not be played on the radio. Among the performers are Lil Johnson, Lonnie Johnson, Barrel House Annie, Bo Carter and Buddy Moss. With titles such as "Sam The ...
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Whiskey Is My Habit, Women Is All I Crave: The Best of Leroy Carr
(2004)
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Leroy Carr
The 40 tracks compiled on this two-disc set represent the entire span of pianist and singer Leroy Carr's recording career that spanned a brief seven years, from 1928-1935. The material represented here -- all but one of these tracks were recorded for the Vocalion label -- features accompaniment by guitarist Scrapper Blackwell on all but one ...
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Blues Everywhere I Go
(1999)
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by
Odetta
This is Odetta's first studio release in over a decade, but time doesn't appear to have affected her interpretive skills or the range and quality of her voice, which remains one of the most remarkable instruments in American folk and blues music to date. The 15 tracks on Blues Everywhere I Go tell what Odetta calls "the other side" of the African ...
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Topdog/Underdog [Clean]
(2002)
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by
Original Soundtrack
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Rude Dudes
(2003)
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by
Various Artists
Since leaving the Rolling Stones in 1993, Bill Wyman has gone on a one-man crusade to promote the music he obviously loves. Wyman fronts his own blues band, the Rhythm Kings, and has been instrumental in keeping the names of both classic and obscure blues artists in the public eye through compilations like Rude Dudes. The title is somewhat ...
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Angola Prisoners' Blues
(1959)
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by
Various Artists
In the '50s, Harry Oster made several recordings of African-American inmates at the penitentiary in Angola, Louisiana. These sessions are primarily remembered for the discovery of Robert Pete Williams, but Oster also found several other acoustic blues performers of merit. Several of them are featured on this 20-track, 80-minute CD (which includes ...
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The Best There Ever Was: The Legendary Early Blues Performers
(2003)
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by
Various Artists
Yazoo Records has long been one of the prime sources for rural blues reissues from the 1920s and '30s. Transferred from old 78s, some so rare only a single copy or two are known to exist, these tracks offer a wonderful glimpse into a fabled blues past. Essentially a kind of greatest-hits collection for Yazoo, The Best There Ever Was features ...
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The Frank Stokes Victor Recordings (1928-1929)
(1990)
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by
Frank Stokes
This 20-song compilation of Frank Stokes' late-'20s recordings for the Victor label is a more expansive version of the Stokes collection available on Yazoo Records, with very little overlap between the two. The sound is variable, as is usually the case with Document's releases, some songs sounding like they came from decent master sources and ...
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Rough Guide to the Blues
(2007)
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by
Various Artists
Full marks to the Rough Guide people -- with this release they've hit it very squarely on the head. If you want one definitive guide to the blues, this is it. Granted, not every major figure is here -- no Skip James or Furry Lewis, for example, or Tampa Red -- but this is as good as you're going to find on a single CD, ranging from the very early ...
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This Is Blues
(2007)
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by
Various Artists
There are countless blues compilations out there, and at first glance, this two-disc, 30-track selection doesn't seem to be anything special, but a closer look reveals that it covers a fairly wide spectrum, both in the number of blues styles it includes (prewar country-blues to Chicago blues, jump blues, folk-blues and more) and in the years it ...
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The Story of the Blues [Sony]
(1995)
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by
Various Artists
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Complete Recorded Works, Vol. 1 (1923)
(1997)
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by
Ida Cox
Ida Cox was one of the most powerful blues singers of the 1920s, ranking just below Bessie Smith. The Document label has reissued all of Cox's 1920s recordings on four CDs, leaving out many of the alternate takes (since there are a great deal from 1923-24) to be put out on a later series. The first CD has the master takes of all of Cox's ...
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Memphis Blues Singers, Vol. 1
(1998)
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by
Various Artists
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Good Time Tonight
(1990)
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by
Big Bill Broonzy
If you're following the 30-plus year career of Bill Broonzy and already have the two early compilations available on Yazoo, here's where you go next. These are basically ensemble works covering the time frame between 1930 to 1940 and Broonzy sounds very comfortable in the company of Blind John Davis and Joshua Altheimer. The 20 tracks compiled ...
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Slide Guitar: Bottles, Knives, & Steel, Vol. 2
(1991)
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by
Various Artists
This is another excellent volume of various styles of blues slide guitar from Columbia's Roots & Blues series. ~ All Music Guide, All Music Guide
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Legendary Blues: Oh Brother - Best of Southern
(2002)
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by
Various Artists
Legendary Blues: Oh Brother -- Best of Southern Blues is a rather skimpy compilation of ten songs by familiar artists of the genre, including Sonny Boy Williamson, Muddy Waters, and Skip James. Also included are lesser-known tracks by Bessie Tucker ("Penitentiary"), Lucille Hegamin ("Land of Cotton Blues"), and Blind Blake ("Police Dog Blues"). If ...
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Rare Country Blues, Vol. 3: 1928-1936
(2000)
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by
Various Artists
Document Records, a British reissue label, has set an admirable goal of releasing all the music found on 78s from the 1920s and '30s. Their collections are historical and archival in intent and are absolutely essential to scholars, collectors, and others interested in music of the period. Rare Country Blues, Vol. 3 assembles the complete known ...
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I Feel So Good
(1995)
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by
Big Bill Broonzy
It is hard enough to find a comprehensive collection of Big Bill Broonzy's music, much less a smaller one that covers most of the bases. This 22-track set, with 18 of his compositions, showcases many of his best-known tunes from an acoustic on-the-porch approach, and there are a few that saddle up to a more jazzy aesthetic. Among the top-drawer ...
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Legendary Blues: Acoustic Blues
(2002)
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by
Various Artists
Bizarre packaging aside, Legendary Blues: Acoustic Blues is a rather skimpy compilation of ten songs by familiar artists of the genre, including Robert Johnson, Lightnin' Hopkins, and Sonny Terry & Brownie McGee. Also included are lesser-known tracks by Sleepy John Estes ("Someday Baby"), Big Joe Williams ("Brother James"), and Bo Carter ("All ...
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The Godfather of Chicago Blues
(2005)
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by
Big Bill Broonzy
Big Bill Broonzy was viewed as a beloved country blues player when he died in 1958, a master of raw and authentic-sounding folk-blues. But this public image, although Broonzy worked hard to maintain it in his later years, does him a bit of a disservice. He was much more than a rustic relic, however well he played the part. Broonzy was an excellent ...
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