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Birth of the Cool
(1949)
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by
Miles Davis
So dubbed because these three sessions -- two from early 1949, one from March 1950 -- are where the sound known as cool jazz essentially formed, The Birth of the Cool remains one of the defining, pivotal moments in jazz. This is where the elasticity of bop was married with skillful, big-band arrangements and a relaxed, subdued mood that made it ...
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A Charlie Brown Christmas
(1965)
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by
Vince Guaraldi
Peanuts creator Charles M. Schulz called on pianist extraordinaire Vince Guaraldi and his trio to compose and perform music that would reflect the humor, charm, and innocence of Charlie Brown, Snoopy, and the entire Peanuts gang for their 1965 Christmas TV special. It was a perfect match: Guaraldi strings together elegant, enticing arrangements ...
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The Best of Ken Burns Jazz
(2000)
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by
Various Artists
In conjunction with documentary filmmaker Ken Burns' ten-part 2000 PBS special, Columbia/Legacy and Verve teamed up to issue a special series of reissues covering much of the history of 20th century jazz. The central release of this program was the five-CD box set Ken Burns Jazz: The Story of America's Music, which was augmented by no less than 22 ...
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To Hope! A Celebration
(1996)
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by
Dave Brubeck
Only a fraction of the sacred music written by Dave Brubeck has been recorded for commercial release; this commissioned piece marks the first time that one of his religious works has been recorded in its entirety in concert. With longtime manager Russell Gloyd conducting the Cathedral Choral Society Chorus & Orchestra and his regular quartet, ...
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Porgy and Bess
(1958)
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by
Miles Davis/Gil Evans
Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the ...
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Songs for Lovers
(1997)
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by
Chet Baker
Although it is not obvious from the cover of this 1997 CD, all 12 selections from Chet Baker's Pacific Jazz period are currently available elsewhere (although a few are only on Mosaic limited-edition box sets). The material is almost random and is not programmed in chronological order. Baker takes vocals on five numbers, including three from a ...
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A Boy Named Charlie Brown
(1964)
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by
Vince Guaraldi
Originally entitled Jazz Impressions of a Boy Named Charlie Brown, this is an important album not only because it is Guaraldi's first Peanuts soundtrack, but also because the music heard here probably introduced millions of kids (and their parents) to jazz from the mid-'60s onward. Actually, this music is the score for a documentary on the Peanuts ...
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Stan Getz and the Oscar Peterson Trio
(1957)
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Stan Getz & The Oscar Peterson Trio
This very enjoyable CD for the first time gathers together all of the music recorded at this timeless session. Tenor-saxophonist Stan Getz is joined by pianist Oscar Peterson, guitarist Herb Ellis and bassist Ray Brown for a well-rounded set filled with appealing standards, three Getz originals (two of which are blues) and a fine ballad medley. ...
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Live!
(1976)
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by
Jim Hall
This fine club date features guitarist Jim Hall in Toronto with two of the top Canadian jazzmen, bassist Don Thompson and drummer Terry Clarke. The interplay between the three players is sometimes wondrous, and although the five selections are all familiar standards (such as "'Round Midnight," "Scrapple From the Apple" and "The Way You Look ...
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Charlie Brown's Holiday Hits
(1998)
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by
Vince Guaraldi Trio
For fans of the innumerable Charlie Brown/Peanuts television specials, Charlie Brown's Holiday Hits is a true goldmine, providing an album's worth of previously unreleased material by pianist Vince Guaraldi, written and recorded for various specials over the years. Brand new, yet instantly familiar, Guaraldi's effortless combination of childlike ...
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'Round About Midnight [Bonus Tracks]
(2001)
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by
Miles Davis
The reissue of 'Round About Midnight is the definitive presentation of one of Miles Davis' greatest recordings. As is Legacy's wont, once an anthology box set is issued -- in this case The Complete Columbia Recordings: Miles Davis & John Coltrane -- the individual recordings are released with bonus tracks. This reissue features the original album ...
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Chet Baker Sings
(1956)
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by
Chet Baker
As Gerald Heard's liner notes point out, it's difficult to decide whether Chet Baker was a trumpet player who sang or a singer who played trumpet. When the 24-year-old California-based trumpeter started his vocal career in 1954, his singing was revolutionary; as delicate and clear as his trumpet playing, with a similarly bright and vibrato-free ...
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The Best of Chet Baker Sings
(1953)
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by
Chet Baker
To much of the pop (as opposed to the jazz) audience, Chet Baker was known not as an able cool jazz trumpeter, but as a romantic balladeer. The two classifications were not mutually exclusive; Baker's vocal numbers would also feature his trumpet playing, as well as fine instrumental support from West Coast cool jazzers. For those who prefer the ...
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Indian Summer
(2007)
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by
Dave Brubeck
It's not uncommon for anyone to turn toward nostalgia as the years wear on, and at age 86, with nearly 60 years of recording behind him and nearly 50 since he shook up the jazz world with his landmark Time Out album, Dave Brubeck is certainly entitled to look back and take stock of his life. Indian Summer -- the phrase itself suggests an ...
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Pres and Teddy
(1956)
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by
Lester Young - Teddy Wilson Quartet
Although it has been written much too often that Lester Young declined rapidly from the mid-'40s on, the truth is that when he was healthy, Young played at his very best during the '50s, adding an emotional intensity to his sound that had not been present during the more carefree days of the '30s. This classic session, a reunion with pianist Teddy ...
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Chet [Keepnews Collection]
(2007)
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by
Chet Baker
Chet Baker was to record only one more album after this one for the Riverside label before starting down the road to those many other labels he was to visit during the rest of his career. It is somewhat ironic that one of the major figures in West Coast jazz would record for a label that played a leading role in the propagation of East Coast jazz. ...
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Embraceable You
(1957)
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by
Chet Baker
A ballad collection that emphasizes Chet Baker's troubled-romantic vocal style, it's not too surprising that these 1957 recordings remained in the vaults for almost 40 years. For one thing, Baker's delicate tenor, having won the hearts of thousands of teenage fans, was considered somewhat of a novelty to most critics. For another, his guitar-and ...
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Miles Ahead
(1957)
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by
Miles Davis
This album is perhaps most significant for the process it set in motion -- the collaboration between Gil Evans and Miles Davis that would produce Porgy and Bess and Sketches of Spain, two of Davis' best albums. That said, this album is a miracle in itself, the result of a big gamble on the part of Columbia Records, who put together Evans and Davis ...
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Miles & Quincy Live at Montreux
(1991)
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by
Miles Davis/Quincy Jones
Although Miles Davis did not live to participate in Gerry Mulligan's reunion recordings featuring the nonet that played on the famous late-'40s and early-'50s cool sessions, he participated in a reunion concert held at Montreux in 1991. This featured both the Gil Evans Orchestra and George Gruntz Concert Jazz Band, plus additional guests Benny ...
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Jim Hall & Pat Metheny
(1999)
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by
Jim Hall & Pat Metheny
These two guitarists -- one an elder statesman, the other still a relatively young man in the midst of a stellar career -- are such a natural fit that it's amazing no one's thought of getting them together for a duo album before. Both play with a gentle touch and sweet tone, and both are capable of challenging experimentation, though each have ...
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A Charlie Brown Christmas [Bonus Tracks]
(2006)
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by
Vince Guaraldi
Peanuts creator Charles M. Schulz called on pianist extraordinaire Vince Guaraldi and his trio to compose and perform music that would reflect the humor, charm, and innocence of Charlie Brown, Snoopy, and the entire Peanuts gang for their 1965 Christmas TV special. It was a perfect match: Guaraldi strings together elegant, enticing arrangements ...
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The Song Is You
(1969)
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by
Stan Getz
If any album by Stan Getz could be termed a sleeper, this one would be it. Released by producer Sonny Lester on his LRC label, and relatively unheralded due to distribution factors or sketchy information, this apparently is a summertime 1969 concert festival performance done somewhere in Italy. A scant few years away from teaming up with Chick ...
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Time Out
(1959)
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by
The Dave Brubeck Quartet
Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him ...
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My Favorite Things
(1960)
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by
John Coltrane
Although seemingly impossible to comprehend, this landmark jazz recording was made in less than three days. All the more remarkable is that the same sessions which yielded My Favorite Things would also inform a majority of the albums Coltrane Plays the Blues, Coltrane's Sound, and Coltrane Legacy. It is easy to understand the appeal that these ...
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Big Band Hit Parade
(1988)
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by
Various Artists
This CD is a bit of an oddity but largely a success. A group of all-star jazzmen (trumpeter Doc Severinsen, trombonist Buddy Morrow, clarinetist Eddie Daniels, baritonist Gerry Mulligan, pianist Dave Brubeck, bassist Ray Brown and drummer Ed Shaughnessy) along with the great singer Cab Calloway team up with Erich Kunzel's Cincinnati Pops Big Band ...
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