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Raising Sand
(2007)
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Robert Plant/Alison Krauss
What seems to be an unlikely pairing in the duo of former -- and future apparently -- Led Zeppelin vocalist Robert Plant and bluegrass superstar Alison Krauss is actually one of the most effortless-sounding pairings in modern popular music. The bridge seems to be producer T-Bone Burnett and the band assembled for this outing: drummer Jay Bellerose ...
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The Definitive Collection [Geffen]
(2006)
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Muddy Waters
There are scores of Muddy Waters compilations out there, and while it might be overreaching a bit to call this 24-track single-disc set definitive, it is still a mighty good selection, including as it does all of Waters' major singles from Chess Records and its Aristocrat Records imprint between the years 1948 and 1964 along with a single track ...
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The Complete Recordings [Longbox]
(1990)
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by
Robert Johnson
A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The problems aren't in the music itself, of course, which is stunning and the fidelity of the recordings is the best it ever has been or ever will be. Instead, it's in the track sequencing. ...
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It Serves You Right to Suffer
(1966)
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John Lee Hooker
Given Hooker's unpredictable timing and piss-poor track record recording with bands, this 1965 one-off session for the jazz label Impulse! would be a recipe for disaster. But with Panama Francis on drums, Milt Hinton on bass, and Barry Galbraith on second guitar, the result is some of the best John Lee Hooker material with a band that you're ...
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A Meeting by the River
(1993)
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Ry Cooder & V.M. Bhatt
A Meeting by the River can best be described as a spontaneous outpouring of music, unhindered by convention or form, brought into being by musicians so supremely capable that the music is never labored, the technique of their craft always subservient to the final product. Cooder and Bhatt are genuine masters of the guitar and mohan vina, ...
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Burnside on Burnside
(2001)
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by
R.L. Burnside
Like jazz, blues music has faced a problem of attrition, with its major names dying off and younger artists having trouble establishing themselves at anything like an equal level of recognition. One way out of this dilemma has been the discovery of new-old bluesmen, musicians who have reached an advanced age without becoming stars, who can now be ...
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The Anthology: 1947-1972
(2001)
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by
Muddy Waters
There have been countless collections of Muddy Waters' classic Chess material released over the years, but Chess began to whittle down the domestic catalog toward the late '90s. The triple-disc Chess box remained in print, but they added two single-disc collections that each covered a specific period in Waters' career at Chess. Then, in 2001, MCA ...
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The Chess Box
(1990)
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by
Muddy Waters
The Chess Box does not contain all the great music Muddy Waters made. His talent and legacy are too large to be captured in a mere three discs, even one that spans from 1947 to 1972. This means, of course, that his legendary plantation recordings with Alan Lomax are not here, nor is his dynamic late-'70s comeback, Hard Again. But, truth be told, ...
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The Best of Friends [Bonus Track]
(1998)
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by
John Lee Hooker
John Lee Hooker's recordings for Virgin/Point Blank may have varied in quality, but never in formula. Once The Healer earned reams of praise and, more importantly, solid sales upon its 1989 release, it was pretty much set in stone that every future Hooker album would be painstakingly constructed and boast a plethora of superstar cameos. The guest ...
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People Take Warning! Murder Ballads & Disaster Songs 1913-1938
(2007)
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by
Various Artists
This three-disc, 70-track (30 of them new to the CD era) collection of murder ballads and disaster songs originally released on commercial 78s between 1913 and 1938 is, in spite of the archaic song structures and often crude sonic qualities on display, strangely contemporary in tone and feel, maybe because we've always been drawn to the scene of ...
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The Complete Recordings [Jewel Case]
(1996)
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by
Robert Johnson
A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The problems aren't in the music itself, of course, which is stunning and the fidelity of the recordings is the best it ever has been or ever will be. Instead, it's in the track sequencing. ...
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Blues Classics: Millennium Collection - 20th Century Masters
(2003)
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by
Various Artists
There is no doubt that all of the tracks on this collection are indeed blues classics. B.B. King's "The Thrill Is Gone," Muddy Waters' "Got My Mojo Working," and Big Mama Thornton's "Hound Dog" are just three of the signature songs found here. With so many blues anthologies on the market, though, this compilation suffers for its brief length, and ...
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The Complete Library of Congress Sessions, 1941-1942
(2000)
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by
Son House
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Blues Masters, Vol. 8: Mississippi Delta Blues
(1993)
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by
Various Artists
The title for this volume is a bit of a misnomer. While there is easily half a compilation's worth of authentic acoustic material here (including classics by Tommy Johnson, Charley Patton, Willie Brown, and Robert Johnson), the inclusion of tracks by B.B. and Albert King and recorded in Chicago sides by Howlin' Wolf, Elmore James and Robert ...
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Blue Yule: Christmas Blues and R&B Classics
(1991)
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by
Various Artists
A stellar 18-song compilation with most tracks not duplicated on other in-print collections. Treasures abound here: rare tracks from John Lee Hooker and Lightnin' Hopkins, Hop Wilson's original "Merry Christmas, Darling" (covered by The Fabulous Thunderbirds on An Austin Rhythm & Blues Christmas), Louis Jordan's last recording ("Santa Claus, Santa ...
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King of the Electric Blues
(1997)
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by
Muddy Waters
The first 20-bit remastering of any of Muddy's late career work for Johnny Winter's Blue Sky label is of considerable interest. The fact that, in the wake of the earlier Blues Sky best-of disc, there's enough material to do another 60-minute-plus collection, also speaks well for this catalog. The clarity of the Super Bit Mapping audio brings out a ...
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Chess Blues Classics: 1957-1967
(1997)
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by
Various Artists
This second volume of a two-volume entry in MCA's Chess 50th Anniversary reissue series chronicles the second decade of blues classics produced by the landmark company. Although Chess' big four (Muddy Waters, Howlin' Wolf, Little Walter, and Sonny Boy Williamson) are all finely represented, influential sides by Elmore James ("Madison Blues"), Otis ...
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Folk Singer
(1964)
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by
Muddy Waters
Muddy's "unplugged" album was cut in September of 1963 and still sounds fresh and vital today. It was Muddy simply returning to his original style on a plain acoustic guitar in a well-tuned room with Willie Dixon on string bass, Clifton James on drums, and Buddy Guy on second acoustic guitar. The nine tracks are divvied up between full rhythm ...
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King of the Delta Blues [Columbia/Legacy]
(1997)
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by
Robert Johnson
This 16-track single-disc compilation gathers up the best-known tracks from the two original volumes of King of the Delta Blues Singers for a nice entry-level collection of Robert's best. Utilizing the latest in remastering technology, these recordings have never sounded quite this clear and full-bodied before, and the difference between this and ...
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Not the Same Old Blues Crap
(1998)
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by
Various Artists
A sampler from the Fat Possum label that, as the title announces, really isn't the same old blues crap. Fat Possum made its name as a home for raw 1990s juke-joint blues, and a lot of that is here in the cuts by Junior Kimbrough, R.L. Burnside, T-Model Ford, and Jelly Roll Kings. It's straight-up electric guitar blues where the groove and ...
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A Ass Pocket of Whiskey
(1996)
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by
R.L. Burnside
Although he had been playing for years, it wasn't until the 1990s that R.L. Burnside's raw electrified Delta blues were heard by a wide audience. His new fans celebrated his wild, unbridled energy, so it made sense for him to team with the Jon Spencer Blues Explosion, the warped indie rock band that's all about energy. However, the very purists ...
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The Best of John Lee Hooker 1965-1974
(1992)
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by
John Lee Hooker
MCA's The Best of John Lee Hooker has a misleading title. All of the 16 selections are taken from his recordings for ABC, which were made at the end of the '60s and beginning of the '70s. During this time, his producers were experimenting with his sound, adding contemporary sonic touches like funk rhythms and wah-wah pedals. Needless to say, this ...
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Hoochie Coochie Man [LRC]
(2001)
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by
Muddy Waters
The source for this 1964 live performance appears to be Lippmann and Rau, the sponsors of Europe's American Folk Blues Festival. Considering that Chess Records never recorded Muddy's live set during this era, this disc is priceless. Otis Spann is at the piano, George Smith plays sax, Sammy Lawhorn is the second guitarist, and Francis Clay and ...
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Thunderbird
(2006)
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by
Cassandra Wilson
Cassandra Wilson's swinging for her own creative fences this time. The sultry, gentle, acoustic guitars on her last five recordings have been largely jettisoned for a more keyboard-and percussion -friendly approach -- which includes lots of programming and loops. To that end, she's enlisted flavor-of-the-year producer T-Bone Burnett and ...
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Feelin' Good
(1987)
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by
Jessie Mae Hemphill
Feelin' Good was the first album Jessie Mae Hemphill released in the United States and it differs from its predecessor She-Wolf in that it captures her at her rawest. Half of the record features her supported only by a rhythm guitar and drums, while the other half has Hemphill wailing away at her guitar and percussion simultaneously. The result is ...
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