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A Christmas Celebration
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Celtic Woman
Manhattan's 15-track holiday compilation Celtic Woman: A Christmas Celebration features traditional yuletide classics like "Away in a Manger," "Little Drummer Boy," "O Holy Night," and "Silent Night" sung by some of the genre's loveliest sirens and accompanied by the occasional harp, cello, violin, and keyboard. Fans of Enya and Clannad will find ...
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A Day Without Rain
(2000)
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by
Enya
Enya's first full-length album of new material in five years (and her fourth in 12 years) will have a familiar sound to the millions who have followed her career so far. As usual, the slow songs sound like "Silent Night" being performed in a cathedral, and the less slow songs are paced by rhythm patterns that would be called pizzicato passages if ...
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Watermark
(1988)
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Enya
Thanks to its distinct, downright catchy single "Orinoco Flow," which amusingly referenced both her record-company boss Rob Dickins and co-producer Ross Cullum in the lyrics, Enya's second album Watermark established her as the unexpected queen of gentle, Celtic-tinged new age music. To be sure, her success was as much due to marketing a niche ...
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Shepherd Moons
(1991)
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Enya
Calling Shepherd Moons a near carbon copy of Watermark puts it quite mildly. Like Watermark, Shepherd Moons opens with the title track, a calm instrumental, has another brief instrumental titled after a Dora Saint book smack in the middle ("No Holly for Miss Quinn"), and concludes with a number incorporating a striking uilleann pipes solo, ...
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Paint the Sky with Stars: The Best of Enya
(1997)
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Enya
Paint the Sky with Stars: The Best of Enya is an excellent 16-song overview of Enya's career, containing 14 selections from The Celts, Watermark, Shepherd Moon, and The Memory of Trees -- including "Caribbean Blue," "Anywhere Is," "Marble Halls," "Book of Days," and, of course, "Orinoco Flow" -- as well as two previously unreleased songs ("Only If ...
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Amarantine
(2005)
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by
Enya
Second only to U2 as the most successful Irish recording artist of all time, Enya has built an empire out of multi-tracking her beautiful voice over the same keyboard patches that appeared on her post-Clannad debut since 1987. It's an empire that has progressed at a slow burn, peaking in 2000 and 2001 with her chart-topping ballad and unofficial ...
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An Ancient Muse
(2006)
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Loreena McKennitt
Canadian Celtic/new age/worldbeat architect Loreena McKennitt may be an odd choice for the legendary jazz label that released benchmark albums from Charlie Parker and Miles Davis, but Verve may have been moved by the undeniably talented harpist/composer/vocalist's large collection of globe-spanning gold, platinum, and multi-platinum sales awards. ...
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The Mask and Mirror
(1994)
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Loreena McKennitt
Press play and enter the world of Loreena McKennitt, where walls dissolve into thick, billowing mists as the ground beneath your feet turns to compacted earth and the sky above opens up to reveal a black cloak dotted with shimmering stars draped beneath silk-like clouds. Were McKennitt's composing and songwriting abilities lacking of any luster ...
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The Memory of Trees
(1995)
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by
Enya
No surprises here, of course -- Enya didn't achieve new age superstardom by challenging anyone's expectations. This album is every bit as hushed, lovely, and soulless as everything else she's ever done; like a perfect angel food cake, it's sweet, soft, and utterly lacking in nutritive substance. There's nothing the matter with angel food cake, of ...
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Celtic Woman [Manhattan]
(2005)
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by
Various Artists
Manhattan Records' release of Celtic Woman is a compilation/collaboration between five unknown vocalists, introduced only by their first names (Chloë, Lisa, Órla, Méav, and Máiréad), who take turns chirping Irish ballads as heard through a dramatic, lush new age filter. Via reverb-heavy and thick keyboard atmospherics, the singers cover ...
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A New Journey
(2007)
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by
Celtic Woman
Celtic Woman, a Riverdance-inspired PBS phenomena that boasts the talents of several female leads and a whole lot of orchestra and genre instruments like pipes, bodhrans, and fiddles, gives contemporary Celtic the Il Divo treatment on New Journey, a lovely and occasionally over the top collection of familiar melodies and grandiose sentiments that ...
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The Celts
(1987)
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by
Enya
Initially released simply as Enya, The Celts shows that the style she became famous for on Watermark was already well under way. With production and lyrical help fully in place thanks to her husband-and-wife gurus Nicky and Roma Ryan, Enya's combination of Celtic traditionalism and distinctly modern approach finds lush flower here. All the ...
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Long Black Veil
(1995)
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by
The Chieftains
With Long Black Veil, the Chieftains attempted a mainstream pop crossover by recording with rock and pop stars from the Rolling Stones and Sting to Van Morrison and Sinéad O'Connor. Instead of changing their sound to accommodate the talents of their guests, the band plays it straight. As always, their performance is superb; what is surprising is ...
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To Drive the Cold Winter Away
(1987)
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by
Loreena Mckennitt
Recorded in various halls and abbeys in Ireland, and completed in the Church of Our Lady in Guelph, Ontario, harpist/arranger/vocalist Loreena McKennitt's first foray into the crowded field of holiday music -- she would go on to release an EP called Winter Garden in 1995 -- is steeped in old-world atmosphere. To Drive the Cold Winter Away ...
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Celtic Christmas [Windham Hill]
(1995)
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by
Various Artists
As one might expect, any Windham Hill collection of Christmas music expresses the peaceful, mellower side of the season. These are the same kind of instrumentals that play overhead creating pleasant background music as shoppers bustle to finish holiday gift buying. And while anything labeled "background music" may be seen as musical Milquetoast, ...
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Tears of Stone
(1999)
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by
The Chieftains
This album is a follow-up to the 1995 album The Long Black Veil. The idea is the same: the Chieftains play house band for many guest vocalists and musicians. The difference this time around is that all the musicians and vocalists featured are women. Sinéad O'Connor is the one return performance, and she justifies that honor with her sorrowful and ...
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The Very Best of Celtic Christmas
(2004)
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by
Various Artists
Culled from Windham Hill's five best-selling Celtic Christmas collections, this 19-track Best Of features atmospheric yuletide classics and originals from some of contemporary Celtic music's most celebrated performers. Highlights include Maighread Ni Dhomhnaill and Donal Lunny's lush "Third Carol for a Christmas Day," Altan's "Soillse Na Nollag ...
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Garden State
(2004)
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by
Original Soundtrack
The soundtrack to Zach Braff's Garden State is nearly as much of a piece with the film as the similarly sweet, quirky combinations of sound and vision in Wes Anderson's films and soundtracks. Garden State, however, is more modern in its outlook and more emotionally direct, with a mixtape earnestness belied by using not one but two songs from the ...
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Parallel Dreams
(1989)
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Loreena McKennitt
Parallel Dreams, the Canadian harpist/songwriter's quietly moving sophomore release, finds the mystical red-haired siren in true balladeer form. By far McKennitt's most romantic venture -- the liner notes describe the project's central theme as a "yearning toward love, liberty and integration" -- Dreams is more ambitious than her sparse, ...
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The Book of Secrets [Enhanced]
(2006)
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by
Loreena McKennitt
The Book of Secrets, the follow-up to 1994's The Mask and Mirror (there was a Christmas EP, A Winter Garden, released in 1995), finds Loreena McKennitt in the same musical vein, mixing Celtic, Spanish, Italian, and new age to create her own distinct sound. The only problem is that she did not seem to progress much during the time between releases. ...
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Christmas Secrets
(2006)
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by
Enya
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The Bells of Dublin
(1991)
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by
The Chieftains
Joined by Nancy Griffith, the Irish group presents a superb concert, blending folk and country music. Well recorded and well photographed. Bruce Eder, All Music Guide
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Pink Moon
(1972)
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by
Nick Drake
After two albums of tastefully orchestrated folk-pop, albeit some of the least demonstrative and most affecting around, Drake chose a radical change for what turned out to be his final album. Not even half-an-hour long, with 11 short songs and no more -- he famously remarked at the time that he simply had no more to record -- Pink Moon more than ...
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Nights from the Alhambra
(2007)
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by
Loreena McKennitt
Nights from the Alhambra chronicles ethereal Canadian Celtic/folk/worldbeat artist Loreena McKennitt's 2006 tour in support of her Ancient Muse album. Recorded in September in the Palace of Charles V at the Alhambra, a southern Spanish fortress on the eastern border of the city of Granada built by the Moors, McKennitt employed a 12-piece band that ...
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The Best of the Chieftains [1992]
(1992)
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by
The Chieftains
Well, sort of. The 50 minutes of music here represent the best of the group's three albums (Chieftains 7, Chieftains 8, Boil the Breakfast Early) recorded for Columbia Records during 1977, 1978, and 1979. It's a good collection, and not a bad place to start for the new listener, though it won't offer any revelations for longtime fans, who'd tuned ...
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