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Rodrigo y Gabriela
(2006)
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Rodrigo y Gabriela
While Rodrigo y Gabriela's self-titled third album is an utter and complete joy to listen to -- actually, it's more of a riotous celebration -- it's more than difficult to describe exactly what they do. This Mexican guitar duo met while in a heavy metal outfit together and soon found the local scene wanting. Both had roots in flamenco and other ...
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The Best of the Gipsy Kings
(1995)
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Gipsy Kings
During the late '80s, the Gipsy Kings became an unexpected pop culture phenomenon, winning many fans with their pop-inflected flamenco. In many respects, their debut album, the one that won them a huge audience, remains their definitive work, but The Best of the Gipsy Kings is useful for fans who never purchased any of their subsequent records. ...
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Reflections of Spain: Spanish Favorites for Guitar
(2002)
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by
David Russell
Classical guitarist David Russell performs 11 flamenco-influenced pieces for solo guitar on Telarc's Spanish Favorites for Guitar. Russell spent his formative years learning guitar from his father on the small Spanish island of Menorca, and his love and comfort with the cultural stylings of the Spanish guitar shine brightly on this collection. His ...
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Tempest
(1995)
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Jesse Cook
Be warned -- this is an album that will grow on you very quickly. Jesse Cook is a Canadian flamenco guitarist who took the world fusion route at some point, basing his playing against a wonderful mix and match of percussion, synthesizers and samplers. It's easy to spot some of the artificial elements, but many more of them have been blurred into ...
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Gipsy Kings
(1988)
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Gipsy Kings
Their US debut is an especially dynamic introduction to the sound of the Spanish Gypsy ensemble. ~ Myles Boisen, All Music Guide
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Barcelona Nights: The Best of Ottmar Liebert, Vol. 1
(2001)
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Ottmar Libert
Barcelona Nights: The Best of Ottmar Liebert, Vol. 1 gathers the nouveau flamenco guitarist's early career highlights, including the title track and "Heart Still/Beating," both from his 1990 debut Nouveau Flamenco, as well as Borrasca's title track and "Dancing Under the Moon." Other highlights include "La Rosa Negra," "Bullfighter's Dream," "In ...
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Montréal
(2004)
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by
Jesse Cook
Although this bold and dynamic acoustic guitar giant's stock in trade is the hybrid of rhumba flamenco, he's electrified smooth jazz audiences everywhere with one of the best live shows in any instrumental based genre. What could be more exciting than a whole hour of his trademark hits and other exotic classics performed in front of an audience in ...
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Art of Amalia [Blue Note]
(1998)
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by
Amália Rodrigues
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Transparente
(2005)
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Mariza
Transparente is Mariza's "big" album, it seems, the one designed to make her more than just the shining star of the new fado. The music connects the dots between Portugal and Brazil, giving an international quality to it all. Her voice is as crystal clear as ever, and production by Jacques Morelenbaum is wonderfully transparent. Yet there's a ...
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Gypsy Flame
(1995)
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Armik
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Volare! The Very Best of the Gipsy Kings
(1999)
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Gipsy Kings
Although this compilation contains many of the songs featured on their 1995 release Best of the Gipsy Kings, this expanded two-CD set features many stellar tracks recorded since then. Featuring their unique style of pop-influenced flamenco, ¡Volare! The Very Best of The Gipsy Kings is a passionate and uplifting collection featuring familiar, but ...
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Lagrimas Negras
(2004)
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Bebo & Cigala
Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the ...
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Gravity
(1996)
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by
Jesse Cook
Ottmar Liebert's popular Nouveau Flamenco sound has never paid strict homage to the history of Spanish guitar; rather, it has combined tradition with modern pop influences to create an accessible style that successfully bridges new age, jazz, and worldbeat. Paris born, Toronto bred Jesse Cook draws from the same ancient rhythms, but takes even ...
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Putumayo Presents: Latin Lounge
(2005)
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by
Various Artists
The downtempo side of fusion between traditional Latin forms and electronica. The mixes are surprisingly good throughout, with styles taken from everywhere from Spain to Argentina to Texas and thrown together with electronic beats and grooves. The album opens up with Alacran, an Italian outfit specializing in electronic tango à la Gotan Project. ...
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Masters of Flamenco Guitar
(1997)
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by
Various Artists
Masters of Flamenco Guitar is an excellent collection that showcases four masters of the art: Sabicas, Niño Ricardo, Manolo de Huelva, and Melchor de Marchena. Each guitarist is represented by a selection of live cuts that demonstrates his prodigious talent. Even casual listeners will be able to draw differences between each musician, since each ...
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De Mi Alma Latina
(1994)
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by
Placido Domingo
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Fado em Mim
(2002)
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Mariza
Though she's undoubtedly resigned to nearly eternal comparisons with Amalia Rodrigues, the master of Portugal's fado, Mariza's debut album finds her breaking out of the mold from the beginning. Newcomers to the fado will quickly become familiar with the style from the plaintive crystal of Mariza's voice and her evocative guitar accompaniment, but ...
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Nouveau Flamenco
(1990)
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by
Ottmar Liebert
Originally released in 1988, this independently produced album topped Billboard's new age chart and sold a half-million copies. The music, however, lacks the craftsmanship of later releases. In fact, almost all of the short selections end in mediocre fadeouts. ~ Linda Kohanov, All Music Guide
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The Essential Collection
(2005)
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by
Amália Rodrigues
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Love & Liberte
(1994)
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Gipsy Kings
After their internationally successful 1988 self-titled debut, few have followed the the Gypsy Kings' noteworthy fusion of their distinctive flamenco-inflected pop with other international influences. Love & Liberte, a 1994 Elektra Records release, is one of their few compilations of all-new material, one that demonstrates this growth perhaps more ...
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Antologia
(2000)
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Madredeus
If there is a truth about music, somewhere in between the beauty of the atmospheres created and the senses' exhilaration, it can surely be found on Madredeus' compositions. This Portuguese group has been growing a worldwide fan base, from Europe to Japan, since its formation in the late '80s, largely due to its natural genius for producing ...
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Roots
(2004)
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Gipsy Kings
Fans of flamenco icons the Gipsy Kings have been waiting a long time for a record like Roots. The group spent much of the last ten years churning out a sleek and heady mix of often disposable worldbeat that, while perfectly executed, never lived up to the promise of their hugely successful 1988 American/English debut. The aptly named Roots finds ...
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Americas
(1992)
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Strunz & Farah
The latest from this dazzling and astonishing guitar duo surpasses 1990's award-winning Primal Magic with blazing intensity and passion. Their uptempo flamenco sound really vaults way beyond standard fare. Jorge Strunz occupies the left channel, while Ardeshir Farah holds down the right. Visual images abound, conjuring up remote, romantic islands, ...
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Primal Magic
(1991)
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Strunz & Farah
Ottmar Liebert seemed to have the 1990 flamenco guitar market cornered, but a great promotional push helped L.A. club vets into the limelight with this tasty and contagious collection of jungle-fusion gems. What makes S&F work so well is the rapport their guitars have. Like Acoustic Alchemy with more ethnic elements, their nylon string flamenco ...
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Live!
(1992)
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Gipsy Kings
As captivating as the Gipsy Kings are on their studio albums, it's hard to imagine how a recording mixed by a studio engineer could compete for sheer impressiveness with the spectacle of six acoustic guitars ablaze simultaneously in the same room. Particularly when the guitars are managed with the flamboyant virtuosity of the Reyes and Baliardo ...
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