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The Joshua Tree
(1987)
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U2
Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey ...
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On and On
(2003)
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Jack Johnson
It took Jack Johnson two years to break mainstream with his debut album, Brushfire Fairytales, and by the time it went platinum in early 2003, his star power was unstoppable. Twentysomethings and college kids across the globe often compared Johnson's comfortable approach to the fiery Ben Harper, so when it came time to make a second album, Johnson ...
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So
(1986)
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Peter Gabriel
Peter Gabriel introduced his fifth studio album So with "Sledgehammer," an Otis Redding-inspired soul-pop raver that was easily his catchiest, happiest single to date. Needless to say, it was also his most accessible, and, in that sense it was a good introduction to So, the catchiest, happiest record he ever cut. "Sledgehammer" propelled the ...
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Us
(1992)
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Peter Gabriel
Six years after earning his first blockbuster, Peter Gabriel finally delivered Us, his sequel to So. Clearly, that great span of time indicates that Gabriel was obsessive in crafting the album, and Us bears the sound of endless hours in the studio. It's not just that the production is pristine, clean, and immaculate, it's that the music is, with ...
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Rain Dogs
(1985)
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Tom Waits
With its jarring rhythms and unusual instrumentation -- marimba, accordion, various percussion -- as well as its frequently surreal lyrics, Rain Dogs is very much a follow-up to Swordfishtrombones, which is to say that it sounds for the most part like The Threepenny Opera being sung by Howlin' Wolf. The chief musical difference is the introduction ...
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The Dream of the Blue Turtles
(1985)
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Sting
The Police never really broke up, they just topped working together -- largely because they just couldn't stand playing together anymore and partially because Sting was itching to establish himself as a serious musician/songwriter on his own terms. Anxious to shed the mantle of pop star, he camped out at Eddy Grant's studio, picked up the guitar, ...
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Franks Wild Years
(1987)
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Tom Waits
Tom Waits wrote a song called "Frank's Wild Years" for his 1983 Swordfishtrombones album, then used the title (minus its apostrophe) for a musical play he wrote with his wife, Kathleen Brennan, and toured with in 1986. The Franks Wild Years album, drawn from the show, is subtitled, "un operachi romantico in two acts," though the songs themselves ...
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Achtung Baby
(1991)
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U2
Reinventions rarely come as thorough and effective as Achtung Baby, an album that completely changed U2's sound and style. The crashing, unrecognizable distorted guitars that open "Zoo Station" are a clear signal that U2 have traded their Americana pretensions for postmodern, contemporary European music. Drawing equally from Bowie's electronic, ...
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Greatest Hits [Warner Bros]
(2003)
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Red Hot Chili Peppers
The Red Hot Chili Peppers' Greatest Hits is a compelling listen, culling tracks from the band's 1989 breakthrough, Mother's Milk, to its melodic 2002 release, By the Way. In some ways, one could view this as the best of the John Frusciante years, charting most of the band's work with the talented guitarist after the death of original member Hillel ...
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Rattle and Hum
(1988)
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U2
Functioning as both the soundtrack to the group's disastrous feature-film documentary and as a tentative follow-up to their career-making blockbuster, Rattle and Hum is all over the place. The live cuts lack the revelatory power of Under a Blood Red Sky and are undercut by heavy-handed performances and Bono's embarrassing stage patter; prefacing a ...
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Swordfishtrombones
(1983)
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Tom Waits
Between the release of Heartattack and Vine in 1980 and Swordfishtrombones in 1983, Tom Waits got rid of his manager, his producer, and his record company. And he drastically altered a musical approach that had become as dependable as it was unexciting. Swordfishtrombones has none of the strings and much less of the piano work that Waits' previous ...
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I Do Not Want What I Haven't Got
(1990)
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Sinéad O'Connor
I Do Not Want What I Haven't Got became Sinéad O'Connor's popular breakthrough on the strength of the stunning Prince cover "Nothing Compares 2 U," which topped the pop charts for a month. But even its remarkable intimacy wasn't adequate preparation for the harrowing confessionals that composed the majority of the album. Informed by her stormy ...
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Disintegration
(1989)
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The Cure
Expanding the latent arena rock sensibilities that peppered Kiss Me, Kiss Me, Kiss Me by slowing them down and stretching them to the breaking point, the Cure reached the peak of their popularity with the crawling, darkly seductive Disintegration. It's a hypnotic, mesmerizing record, comprised almost entirely of epics like the soaring, icy ...
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Shooting Rubberbands at the Stars
(1989)
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Edie Brickell & New Bohemians
As debut albums by young bands go, Shooting Rubberbands at the Stars is nearly flawless. With a slight southern twinge in her voice, the 23-year-old Brickell churned out brilliant lyrics and captivating vocal performances, backed by the solid and innovative players that comprised the original New Bos -- Kenny Withrow, Brad Houser, John Bush, and ...
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Document
(1987)
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R.E.M.
R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a ...
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Fields of Gold: The Best of Sting 1984-1994
(1994)
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Sting
Early in his solo career, Sting defined himself as a man of taste, choosing to work with jazz musicians instead of rockers. Inevitably, this meant he walked the thin line between sophisticated pop and adult contemporary, but he did it with grace from 1985's Dream of the Blue Turtles to 1993's Ten Summoner's Tales. Unfortunately, Fields of Gold: ...
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Add It Up (1981-1993)
(1993)
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Violent Femmes
Add It Up is not quite the definitive Violent Femmes compilation one might hope for, even if it does feature 23 tracks and adds essential later items missing from their first comp, Debacle: The First Decade. There are several charming rarities to hook dedicated fans, who will likely find several favorites missing (perhaps another song or two could ...
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Crossroads
(1989)
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Tracy Chapman
Tracy Chapman's self-titled debut album of 1988 was an incredibly tough act to follow, but the folk-rocker delivered an inspired sophomore effort with Crossroads. While it falls short of the excellence of her stunning debut, Crossroads is a heartfelt, honest offering that's well worth obtaining. Dedicated to South African freedom fighter Nelson ...
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Reading, Writing and Arithmetic
(1990)
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The Sundays
The Sundays' debut album builds on the layered, ringing guitar hooks and unconventional pop melodies of the Smiths, adding more ethereal vocals and a stronger backbeat. As evidenced by the lilting, melancholy single "Here's Where the Story Ends," it's a winning combination, making Reading, Writing and Arithmetic a thoroughly engaging debut. ...
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Zooropa
(1993)
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U2
U2 planned to record a new EP before launching the European leg of their ambitious Zoo TV tour in 1993, but the EP quickly turned into the full-length album Zooropa. Picking up where Achtung Baby left off, Zooropa delves heavily into U2's newfound affection for experimental music and dance clubs. While the title track marries those inclinations to ...
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The Best of Talking Heads
(2004)
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Talking Heads
Rhino's -- or, more accurately, Sire/Warner/Rhino's -- Best of Talking Heads follows 2003's box set Once in a Lifetime by a year, and it features the same remastering from that set. It also shares part of a title with the 1992 U.K. compilation The Best of Talking Heads: Once in a Lifetime, which was released the same year as the American double ...
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U218 Singles
(2006)
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U2
U2's first two greatest-hits albums neatly divided themselves by decade, with the first covering the '80s and the second summing up the '90s. Their third hits comp, 2006's U218 Singles, is at once more ambitious and more concise, offering an overview of their first 26 years on a single disc comprised of 18 tracks -- and since two of those are new ...
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Eponymous
(1988)
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R.E.M.
Basically a singles collection from R.E.M.'s first five albums, Eponymous gives the listener a sense of the band's change from folk-rock to rock. The songs are intelligently selected, distilling most of the best moments from their first five albums for IRS. Included is the original single of "Radio Free Europe," and different mixes of "Gardening ...
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Murmur
(1983)
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R.E.M.
Leaving behind the garagey jangle pop of their first recordings, R.E.M. developed a strangely subdued variation of their trademark sound for their full-length debut album, Murmur. Heightening the enigmatic tendencies of Chronic Town by de-emphasizing the backbeat and accentuating the ambience of the ringing guitar, R.E.M. created a distinctive ...
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The Trinity Session
(1988)
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Cowboy Junkies
Who says you can't make a great record in one day -- or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which ...
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