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Songs the Lord Taught Us
(1980)
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by
The Cramps
Continuing the spooked-out and raging snarls of their Gravest Hits EP, the Cramps once again worked with Alex Chilton on the group's full-album debut, Songs the Lord Taught Us. The jacket reads "file under: sacred music," but only if one's definition includes the holy love of rockabilly sex-stomp, something which the Cramps fulfill in spades. ...
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Liquor in the Front
(1994)
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by
Reverend Horton Heat
Reverend Horton Heat (aka Jim Heath) always wanted to sound like the wildest, noisiest rockabilly guitarist on Earth, so it was fortunate that he crossed paths with Ministry braintrust Al Jourgensen during his brief spell as an advocate of roots music (and whatever happened to the Buck Satan project, Jourgensen's promised collaboration with Buck ...
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FlameJob
(1994)
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by
The Cramps
Something of a return to form, Flamejob features the band's most committed, energetic performances in quite some time, with wild, crazed vocals from Lux Interior and sizzling guitar work from Poison Ivy enlivening some of the band's most entertainingly stupid and crude offerings, including "Let's Get Fucked Up" and "Inside Out and Upside Down ...
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Believe
(2004)
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by
The Legendary Shack Shakers
As the opening track, "Agony Wagon," shuffles out of the starting blocks like some sort of hillbilly klezmer chestnut, complete with violin and clarinet, you can't help but wonder if the Legendary Shack Shakers have done a 180 for their second album, 2004's Believe. Further research confirms this isn't quite the case, but Believe does find this ...
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Bad Music for Bad People
(1984)
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by
The Cramps
An extremely skimpy compilation, Bad Music is only 31 minutes long. Still, this dog's breakfast of material, assembled upon the Cramps' departure from IRS, was the only place for a variety of B-sides and rarities, at least for a long while. The most well-known is "New Kind of Kick," covered later by the the Jesus and Mary Chain. It isn't as out ...
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Lucky 7
(2002)
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by
The Reverend Horton Heat
Goosed by the news that this album's "Like a Rocket" (with slightly altered lyrics) was chosen as 2002's official Daytona 500 theme song, Reverend Horton Heat and his trusty duo of wildman bassist Jimbo and loose limbed drummer Scott Churilla rev up their collective engines again. The group's seventh album (on their fourth label) is bolstered by ...
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Billy, Vol. 1
(2002)
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by
Various Artists
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Dirt Track Date
(1996)
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by
Southern Culture on the Skids
After spending the first half of the 1990s as one of America's hardest-working independent bands, Southern Culture on the Skids took the bait and signed with a major label in 1995, releasing its fifth album, Dirt Track Date, on Geffen/DGC that year. Dirt Track Date proved to be something of a disappointment for the group's hardcore fans; nearly ...
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High as Hell
(2000)
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Nashville Pussy
Unrepentantly vulgar and sleazy, Nashville Pussy came storming out of the south in the late '90s, riding a wave of Southern rock and psychobilly to become a cult favorite among indie rockers and wannabe bikers alike. They got enough exposure and sales with their debut Let them Eat Pussy to be briefly signed to Mercury Records just before the ...
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Slim Cessna's Auto Club
(2001)
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Slim Cessna's Auto Club
The debut LP from Denver's Slim Cessna's Auto Club features the band's original lineup (which included the creepy vocals of Frank Hauser, Jr. among other instrumentation and stylistic differences from later lineups). However, it is this lineup of the band that catalyzed what was mainly a live, regionally-popular cult band into a recording, touring ...
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Stay Sick!
(1990)
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by
The Cramps
The Cramps waited four years after their top-notch A Date with Elvis before releasing their next studio album. Most all the songs here follow the same rockabilly-based formula of previous releases. Many of the selections (such as "Daisys Up Your Butterfly," "Everything Goes," "All Women Are Bad," and a cover of "Muleskinner Blues") are cast in a ...
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Smell of Female
(1983)
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by
The Cramps
One gets the feeling from the title and cover art alone that if the Cramps could have released this live document in Glorious Smell-o-rama they would have jumped at the chance. Even without it one can almost sense the whiffs of perspiration and energy the group was cooking up; recorded at New York's Peppermint Lounge with Powers on guitar, the ...
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Psychedelic Jungle/Gravest Hits
(1989)
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by
The Cramps
Combining what is arguably the band's finest full-length album with their debut collection of covers, Psychedelic Jungle/Gravest Hits offers up a substantial dose of the Cramps' punk-strained mix of rockabilly music and '50s horror flick aesthetics. Lux Interior's ghoulishly manic vocals, Poison Ivy's treble-heavy guitar distortion, and Knick Knox ...
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We Three Kings
(2005)
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by
Reverend Horton Heat
Who would have figured the man who brought us the world's most potent "Psychobilly Freakout" back in 1992 would be helping to share in the joy of the holiday season a mere 13 years later? We Three Kings is a set of 12 classic Christmas tunes (with one new original added for good measure) whipped into a nervous froth of twangy guitar and rolling ...
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Return of the Loving Dead
(2002)
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by
Nekromantix
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Holy Roller
(1999)
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by
Reverend Horton Heat
Like most rockabilly cats, Reverend Horton Heat was a singles act -- they cut a couple of good full-length records, but they truly made the most sense on an individual song basis, which is why Holy Roller is such a welcome addition to their catalog. Weighing in at a generous 24 tracks, Holy Roller contains highlights from every Horton Heat album - ...
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Revival
(2004)
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by
Reverend Horton Heat
After nearly 15 years as the most frantic act in the rockabilly cosmos, Jim Heath and his partners in the Reverend Horton Heat seem to be slowing down just a bit, but that isn't necessarily a bad thing. Revival, Heat's eighth album, finds Heath cutting back the tempos and aiming for a slightly more subtle approach, though his guitar work is ...
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The Full Custom Gospel Sounds
(1993)
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by
Reverend Horton Heat
With fellow Texas maniac Gibby Haynes on production, Heat and his trusty sidemen go at it again on The Full Custom Gospel Sounds and do so with all the style and sass one could want. Kicking off with "Wiggle Stick," a perfectly lubricious number that ended up scoring the band some airplay with Beavis and Butthead, the good Reverend serves notice ...
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Swampblood
(2007)
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by
Th' Legendary Shack Shakers
Th' Legendary Shack Shakers haven't called their fifth studio album Swampblood for nothing -- there's plenty of the band's usual amped-up Dixie-core frenzy on this album, but as usual they continue to expand their musical palette with each album, and on this set the Tennessee hell-raisers have added a healthy portion of classic swamp rock to the ...
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Bring It On!
(2005)
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by
HorrorPops
Psychobilly. By its very name it's a kick in the pants, an emphatic wallop that metes out harmony between the greasers and punks by the thrum of standup bass. HorrorPops made a real impression with Hell Yeah, their Epitaph debut, and 2005's Bring It On! also delivers soundly. The band never gets carried away with establishing a rabid, rapid pace, ...
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Countrypolitan Favorites
(2007)
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by
Southern Culture on the Skids
When a veteran band follows up a live album with a collection of covers, it's hard not to wonder if they're running short on ideas, but while Southern Culture on the Skids may not be generating much in the way of new material, 2007's Countrypolitan Favorites shows they're still playing (and singing) up a storm. Featuring 15 tunes associated with ...
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Pandelirium
(2006)
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by
The Legendary Shack Shakers
Shifting further away from the frantic blues and punkabilly than on their last album, the Shack Shakers morph into a more European, even Gypsy approach on much of this release. The band's third effort retains all the wild-eyed, frenetic, unhinged qualities that have by now become its calling card. Adding occasional piano, fiddle, horns, and banjo ...
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I've Got a Baaad Feelin' About This: The Complete Recordings
(2003)
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by
Blacktop
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Doublewide and Live
(2006)
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by
Southern Culture on the Skids
While Southern Culture on the Skids have been making good-to-great records since 1991's Too Much Pork for Just One Fork, their real strength has always been as a live act, and anyone who has seen them on-stage knows a typical SCOTS show is a sweat-soaked frenzy of roaring guitars, pounding drums, manic dancing, and fried chicken flying through the ...
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Give 'Em the Boot, Vol. 4
(2004)
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by
Various Artists
Hellcat's Give 'Em the Boot series returns in 2004 with its fourth volume, budget-priced and populated with representatives from the punk, ska, and psychobilly underground. Kicking off with a raucous, previously unreleased track from Tim Armstrong's own Rancid entitled "Killing Zone," the set moves into the Aggrolites' appropriately titled "Dirty ...
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