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The Immaculate Collection
(1990)
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Madonna
On the surface, the single-disc hits compilation The Immaculate Collection appears to be a definitive retrospective of Madonna's heyday in the '80s. After all, it features 17 of Madonna's greatest hits, from "Holiday" and "Like a Virgin" to "Like a Prayer" and "Vogue." However, looks can be deceiving. It's true that The Immaculate Collection ...
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FutureSex/LoveSounds
(2006)
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Justin Timberlake
Give Justin Timberlake credit for this: he has ambition. He may not have good instincts and may bungle his execution, but he sure has ambition and has ever since he was the leading heartthrob in *NSYNC. He drove the teen pop quintet to the top of the charts, far exceeding their peers the Backstreet Boys, and when the group could achieve no more, ...
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I'm Not Dead
(2006)
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Pink
Although it hardly deserved it, Try This -- Pink's 2003 sequel to her 2001 artistic and commercial breakthrough, M!ssundaztood -- turned out to be something of a flop, selling considerably less than its predecessor and generating no true hit singles. Perhaps this downturn in sales was due to the harder rock direction she pursued on Try This, ...
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Thriller
(1982)
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Michael Jackson
Off the Wall was a massive success, spawning four Top Ten hits (two of them number ones), but nothing could have prepared Michael Jackson for Thriller. Nobody could have prepared anybody for the success of Thriller, since the magnitude of its success was simply unimaginable -- an album that sold 40 million copies in its initial chart run, with ...
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Spice
(1996)
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Spice Girls
Spice doesn't need to be original to be entertaining, nor do the Spice Girls need to be good singers. It just has to be executed well, and the innocuous dance-pop of Spice is infectious. None of the Girls have great voices, but they do exude personality and charisma, which is what drives bouncy dance-pop like "Wannabe," with its ridiculous "zig-a ...
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MCMXC A.D.
(1990)
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Enigma
Michael Crétu's attempt at fusing everything from easy listening sex music and hip-hop rhythms to centuries-old Gregorian chants couldn't have been more designed to tweak the nose of high art, a joyously crass stab straight at a mainstream, do not pass go, do not collect 200 dollars. The result is something that shouldn't exist, but in its own way ...
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The Sweet Escape
(2006)
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Gwen Stefani
Awkward and alluring in equal measures, Gwen Stefani's 2004 solo debut, Love.Angel.Music.Baby., did its job: it made Gwen a bigger star on her own than she was as the lead singer of No Doubt. With that established and her long-desired wish for a baby finally fulfilled, there was no rush for Gwen to get back to her regular gig, so she made another ...
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Black & Blue
(2000)
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Backstreet Boys
When 'N Sync usurped the Backstreet Boys' record of number of albums sold in a single week early in 2000, it had to hurt the Backstreets, since it was played in the press as if they had lost the teen pop throne. By the time the group released their third album, Black & Blue, Thanksgiving week 2000, 'N Sync was still popular, but the arc of No ...
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Play
(1999)
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Moby
Following a notorious flirtation with alternative rock, Moby returned to the electronic dance mainstream on the 1997 album I Like to Score. With 1999's Play, he made yet another leap back toward the electronica base that had passed him by during the mid-'90s. The first two tracks, "Honey" and "Find My Baby," weave short blues or gospel vocal ...
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Love.Angel.Music.Baby.
(2004)
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Gwen Stefani
In the wake of Gwen Stefani's elevation to diva status in the early 2000s, it's easy to forget that for a brief moment at the start of the millennium it seemed that she and her band, No Doubt, were dangerously close to being pegged as yet another of the one-album alt-rock wonders of the '90s. Return of Saturn, their long-awaited 2000 follow-up to ...
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Greatest Hits
(1992)
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Gloria Estefan
In 1984, Gloria Estefan started off as the lead singer of Miami Sound Machine. By 1987, after scoring four big hits from their first major U.S. album, they became Gloria Estefan and Miami Sound Machine, and by 1989, after even bigger success, it was simply Gloria Estefan. This greatest-hits collection covers the years 1985 to 1992, featuring most ...
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Discovery
(2001)
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Daft Punk
Four long years after their debut, Homework, Daft Punk returned with a second full-length, also packed with excellent productions and many of the obligatory nods to the duo's favorite stylistic speed bumps of the 1970s and '80s. Discovery is by no means the same record, though. Deserting the shrieking acid house hysteria of their early work, the ...
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Justified
(2002)
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Justin Timberlake
With his debut solo album, Justified, Justin Timberlake borrows from Michael Jackson, from the Thriller-era getup and poses to the sharply modernized spin on the classic Off the Wall sound. To be sure, the sound of the Neptunes productions which dominate Justified is the best thing about the album; they have a lush, sexy, stylish feel that is ...
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The Velvet Rope
(1997)
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Janet Jackson
Where janet., Ms. Jackson's third blockbuster album, implied sexuality with its teasing cover and seductive grooves, its sequel, The Velvet Rope, is sexually explicit, offering tales of bondage, body piercing, and bisexuality. Working with her mainstays Jimmy Jam and Terry Lewis, Jackson essentially reworks the hushed atmosphere of janet., without ...
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Something to Remember
(1995)
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Madonna
Something to Remember is Madonna's second greatest-hits collection, compiling a selection of the singer's ballads. Several of her biggest hits are included, including the number ones "Crazy for You," "Live to Tell," "This Used to Be My Playground," and "Take a Bow," as well as a handful of first-rate album tracks (a remixed "Love Don't Live Here ...
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II
(1994)
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Boyz II Men
With their second album, II, Boyz II Men assured their place at the top of the charts, as well as history. "I'll Make Love to You," the album's first single, stayed on the top of the charts for over two months, only to be unseated by "On Bended Knee," the album's second single. Not surprisingly, II is a carefully constructed crowd pleaser, ...
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Music Box
(1993)
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Mariah Carey
While Carey tones down the predominance of her tremendous vocal range throughout much of this release, there is no question that she remains the driving force behind yet anothr collection of heavy-rotation Top-40 successes including "Dreamlover," "Hero" and the remake of Harry Nilsson's "Without You." Ashley S. Battel, All Music Guide
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Off the Wall [Bonus Tracks]
(2001)
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Michael Jackson
Michael Jackson had recorded solo prior to the release of Off the Wall in 1979, but this was his breakthrough, the album that established him as an artist of astonishing talent and a bright star in his own right. This was a visionary album, a record that found a way to break disco wide open into a new world where the beat was undeniable, but not ...
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Monkey Business
(2005)
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Black Eyed Peas
Hip-hop artists with commercial aspirations need never appear pandering to their audience, since a tough, defiant stance -- aka keeping it real -- is exactly what will draw in most crossover listeners anyway. Nevertheless, the Black Eyed Peas quickly embraced the pop world after the surprising success of third album Elephunk, and only continued ...
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PCD
(2005)
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The Pussycat Dolls
There's a kind of beautifully perverse brilliance to the Pussycat Dolls. Not only are they a sextet who got their start as neo-burlesque dancers in Los Angeles, but they make no bones about being a gleefully manufactured dance-pop act. Open the booklet for their 2005 debut, PCD, and their artificiality is made clear: the first page reads "All lead ...
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Like a Prayer
(1989)
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Madonna
Out of all of Madonna's albums, Like a Prayer is her most explicit attempt at a major artistic statement. Even though it is apparent that she is trying to make a "serious" album, the kaleidoscopic variety of pop styles on Like a Prayer is quite dazzling. Ranging from the deep funk of "Express Yourself" and "Keep It Together" to the haunting "Oh ...
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The Boy Is Mine
(1998)
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Monica
On her second album, The Boy Is Mine, Monica is given a little more room to strut her own stuff. Previously, she was an inexperienced vocalist whose raw talent was sculpted by a bevy of producers. Here, she sticks with Dallas Austin; not only does he give her songs immaculately crafted musical backdrops -- both ballads and up-tempo dance numbers ...
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18
(2002)
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Moby
In one of the two essays in the liner notes for 18, Moby alludes to his past as a "rigid" idealist about life and music, expressing that he's tried to open himself and hoping that he's succeeded. In a way, he already succeeded with his previous album, Play, a remarkable record that cannily used field recordings and blues as the basis for an expert ...
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Travelling Without Moving [Bonus Track]
(1996)
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Jamiroquai
Travelling Without Moving deepens the acid jazz and '70s soul fusions of Return of the Space Cowboy, yet it doesn't have the uniform consistency of its predecessor. Nevertheless, Jamiroquai's fusions sound more fully realized with each outing, which makes its patchy songwriting forgivable. Stephen Thomas Erlewine, All Music Guide
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Happy Feet [Original Soundtrack]
(2006)
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Original Soundtrack
The soundtrack to Happy Feet, the animated penguin fantasia musical directed by George Miller -- the man behind such acclaimed films as Babe, Babe: Pig in the City, and Mad Max -- is a loose and lively mix of '70s funk and modern club-oriented R&B. Borrowing from the template popularized by Shrek, the soundtrack features both new cuts and old ...
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