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Rise
(2005)
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by
Anoushka Shankar
The daughter of Ravi Shankar moves far from the tradition on her fourth solo album, using her considerable sitar skills (understandably, she'll never be her father's equal, but who ever will?) as just part of her arsenal on an album that strives hard to blend the past and cutting edge. It succeeds in part, as on "Solea," where Indian and flamenco ...
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Breathing Under Water
(2007)
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by
Anoushka Shankar and Karsh Kale
Breathing Under Water is a different animal altogether. The pair co-wrote eight of the 13 cuts together. Another, "Easy," was co-written with Norah Jones -- Anoushka Shankar's half sister -- and sung by her. Ravi wrote a two-part tune with his daughter and appears on the album as well. The other big name guest is Sting (it's a payback for Shankar ...
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Traditional Music of India
(1995)
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by
Ustad Ali Akbar Khan
Along with Ravi Shankar, Ali Akbar Khan stands out as a musician whose work caused America and the West to pay attention to Indian classical in the 1960s. This disc combines two albums from 1965: Traditional Music of India and The Soul of Indian Music, both originally on Prestige. The re-release offers Michael Gold's informative and occasionally ...
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The Essential Ravi Shankar
(2005)
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by
Ravi Shankar
With over 90 albums to his credit, the task for those who wish to investigate the recordings of India's master musician Ravi Shankar can be a daunting one. Therefore, the Legacy/BMG Essential Ravi Shankar fills a welcome place in his catalog and serves as a starting point for the novitiate. There are 20 cuts on these two discs that range over most ...
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Raga Guide: A Survey of 74 Hindustani Ragas
(1999)
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by
Various Artists
In music-speak, ragas are essentially scalar melody forms -- something like scales or melodic modes in Western music. However, North Indian ragas do differ from Western modes and scales in several important ways: ragas often take on different ascending and descending forms, act as melodic armatures for vocal and/or instrumental improvisation, are ...
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Passages
(1990)
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by
Ravi Shankar and Phillip Glass
A collaboration between an avant-garde modern classical composer and a traditional Indian/Hindi composer/performer seems as unlikely as ice hockey on the River Styx. However, Passages is a collaboration between Philip Glass and Ravi Shankar and it works quite well. Shankar's smooth style fits nicely with Glass' dissonant orchestrations. There is a ...
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West Meets East: The Historic Shankar/Menuhin Sessions [Angel]
(1967)
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by
Ravi Shankar & Yehudi Menuhin
West Meets East: The Historic Shankar/Menuhin Sessions collects the best from Ravi Shankar and Yehudi Menuhin's three West Meets East albums. This compilation features "Prabhati" and "Swara-Kakali" from the first album, "Raga Piloo" and "Dhun" from the second, and "Tenderness" and "Twilight Mood" from the third. All of the tracks feature the ...
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Call of the Valley
(1995)
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by
Shivkumar Sharma/Brijbushan Kabra/Hariprasad Chaurasia
Shivkumar Sharma, the guitarist Brijbhushan Kabra, and flutist Hariprasad Chaurasia were all aged about 30 when they made Call of the Valley. Shivkumar Sharma, who had made his first solo album in 1960, was responsible for establishing and popularizing the instrument in Hindustani classical circles. Kabra was also having to prove himself because ...
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Improvisations
(1962)
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by
Ravi Shankar/Paul Horn/Bud Shank
First released in 1961, Improvisations features some ahead-of-the-curve jazz-Indian fusion, thanks to Ravi Shankar's collaboration with bassist Gary Peacock and saxophonist Bud Shank. The album also includes Shankar's improvisations on the theme he wrote for the film "Pather Panchali," by Indian filmmaker Satyajit Ray, as well as the three-part ...
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India's Master Musician
(1963)
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by
Ravi Shankar
One of Ravi Shankar's first Western recordings -- made at London's Abbey Road Studios in 1963 (a full two years before George Harrison was introduced to Shankar's music) and originally released in the U.S. on the tiny jazz-oriented indie World Pacific -- India's Master Musician makes some slight concessions toward the untutored Western audience. ...
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In London
(1964)
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by
Ravi Shankar
Ravi Shankar's In London is a re-release of an old World Pacific album from 1964. On it, the master of 20th century sitar shows off the speed and clarity of playing that made him such a great. Accompanying him are Kanai Dutt on tabla and Nodu C. Mullick on tamboura. The album begins with a nice exposition of a South Indian raga that has migrated ...
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At the Monterey International Pop Festival [Angel]
(1967)
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by
Ravi Shankar
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Sound of the Sitar [Angel]
(1965)
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by
Ravi Shankar
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Ragas
(1973)
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by
Ravi Shankar/Ali Akbar Khan
A less-than-perfect recording, this double-album is still an impeccable document of inspired raga duets by the masters Ravi Shankar and Ali Akbar Khan. ~ Myles Boisen, All Music Guide
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Signature Series, Vol. 3
(1994)
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by
Ustad Ali Akbar Khan
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Anoushka
(1998)
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by
Anoushka Shankar
While the sitar is usually taught master to student in a male to male tradition, this beautiful daughter to renowned sitar master Ravi Shankar has been given access to the art. Debuting in 1994 and touring with Ravi since, this album of five compositions, four of which are Ravi Shankar's, is a fitting recording debut. The pieces begin with a slow ...
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In Good We Trust
(2007)
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by
Harry Manx/Kevin Breit
The follow-up to this pair's Jubilee album finds them basically starting where they left off. And fans should be thankful for that. The instrumentation is top-notch and the selections seem to suit the record perfectly. A great example of this is the haunting but folksy reworking of Bruce Springsteen's "I'm on Fire," which is still dark but has a ...
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The Rain
(2003)
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by
Ghazal
On its fourth outing and its first for ECM, the Indian/Persian duo Ghazal chose to record a live album. Issued from a concert in Switzerland, the recording blends the musical styles of both countries. Shujaat Husain Khan, a direct descendant (grandson) of the venerable musician and spiritual master Ustad Vilayat Khan, plays sitar in the Imad Khan ...
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Maestro of the Indian Flute
(2006)
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by
Hariprasad Chaurasia
The two-CD Maestro of the Indian Flute compilation has more than two hours of recordings by Hariprasad Chaurasia spanning 1967-1994. Most of the pieces are ragas, and most are lengthy, with none shorter than five minutes, and one, "Raga Latangi," lasting almost half an hour. Divided into thematic " Innovations " and " Traditions " CDs, the tracks ...
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Live at Carnegie Hall
(2001)
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by
Anoushka Shankar
While Anoushka Shankar had already received terrific amounts of press because of her heritage and beauty, the young sitar prodigy's Carnegie Hall concert in October of 2000 was perhaps one the first true musical milestones of her blossoming career. Still performing music as composed by her renowned father and sitar master, Ravi Shankar, the ...
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Vision of Peace: The Art of Ravi Shankar
(2001)
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by
Ravi Shankar
The sublime artistry of the legendary sitar master Ravi Sankar on this two-CD compilation is marred by bungled liner notes. With a title as general as Vision of Peace, one would expect a "mainstream" offering; indeed, the liner notes offer a primer on the Indian raga, with a glossary of terms and instruments. Fine, but you are offered no ...
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A Morning Raga/An Evening Raga
(1968)
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by
Ravi Shankar
Originally released in 1968 on World Pacific, A Morning Raga/An Evening Raga is exactly what the title says, impeccably played by Ravi Shankar and his longtime tabla partner Alla Rakha. Angel's reissues of Shankar's World Pacific titles have all sounded great, and this is no exception. ~ Sean Westergaard, All Music Guide
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Sitar Concertos & Other Works
(2005)
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by
Ravi Shankar/Yehudi Menuhin/The London Symphony Orchestra/André Prev
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Evening Raga
(2003)
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by
Ustad Amjad Ali Khan
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Duet
(1993)
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by
Ali Akbar Khan & L.Subramaniam
A near-perfect example of the classical duet, this superb live concert features star violinist L. Subramaniam and tabla drummer Zakir Hussein. ~ Myles Boisen, All Music Guide
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