About this title: The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and -- implied in his famous inclusion of liner notes by his psychologist -- it's as much an examination of his own tortured psyche as it is a ...
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Edition: Original recording reissued
Format: CD
Label: Grp Records
Date: 11/07/1995
UPC:011105017428
Description: Good. In like new playing condition, but may have missing or damaged artwork or packaging. Ships with in 24 business hours from SC. Satisfaction Guaranteed! read more
Description: New in new packaging. USA Orders only! Brand New product! please allow delivery times of 3-7 business days within the USA; Attention UK customers, please use our UK account ImportCDsUK, thank you. read more
Description: This item is brand new & factory sealed. It is 100% guranteed or your money back. We offer fast & friendly customer support, so feel free to contact us with any questions before or after the sale. read more
Description: NEW. Format: Audio CD. BRAND NEW, PRISTINE, direct from the publisher, in its "birthday suit" (ORIGINAL FACTORY packaging and shrink-wrap). Our merchandise is NEVER pre-owned, NEVER pre-opened. We have NEVER carried used material...never have, never will. Our five-star rating speaks for itself, let us serve you! BKLUVID: 011105017428. read more
Format: CD
Label: Impulse!
Date: 2001
UPC:076732564929
Description: New in new packaging. Originally released: 1963. Brand new Japanese mini LP paper sleeve with OBI strip import CD of the classic album. It was a limited edition which sold out quickly and is now out of print. read more
"A tour de force if there ever was one, The Black Saint and the Sinner Lady consists of a single six-part suite performed by an eleven-piece band. Mingus gathered a wonderful group of musicians, but what goes on in the album far exceeds just great musicianship; listening to it, one gets the sense of people delving deep not only into their own souls, but also to those of everyone around them, and to the listeners’ by extension. From the opening—a six-minute piece titled “Stop! Look! and Listen, Sinner Jim Whitney”—to the even more baroquely-named climax, “Of Love, Pain, and Passioned Revolt, then Farewell, My Beloved, ‘Till It’s Freedom Day!,” Mingus draws on an array of subjects, themes, and motifs, some political, some personal, all profoundly emotional. He beautifully evokes both his time and that of a long-gone era by biting Stravinsky and Schoenberg, in the end fashioning what the man himself deemed as “ethnic folk-dance music.”"
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