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Aria Cantilena - Adrianne Pieczonka (vocals); Diana Damrau (vocals); Dominik Licht (vocals); Elina Garanca (mezzo-soprano); Heike Liebmann (vocals); Katharina Flade (vocals); Matthias Beutlich (vocals); Mirko Tuma (vocals); Peter Bruns (cello); Rafael Harnisch (vocals)
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Track Listing
  1. Las Hijas Del Zebedeo, zarzuela: Carceleras. Al pensar en el dueño de mis amores
  2. Werther, lyric drama in 4 acts: Act 3. Letter Scene. Werther... Werther... Qui m'aurait dit la place
  3. Les contes d'Hoffmann, opera in 4 acts: Act 3. No. 15. Romance. Vois sous l'archet frémissant - C'est l'amour, l'amour vainqueur!
  4. La cenerentola (Cinderella), opera: Act 2. Rondò finale. Nacqui all'affanno e al pianto
  5. Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: No. 1. Aria. Tarde, uma nuvem rósea lenta e transparente
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  1. Las Hijas Del Zebedeo, zarzuela: Carceleras. Al pensar en el dueño de mis amores
  2. Werther, lyric drama in 4 acts: Act 3. Letter Scene. Werther... Werther... Qui m'aurait dit la place
  3. Les contes d'Hoffmann, opera in 4 acts: Act 3. No. 15. Romance. Vois sous l'archet frémissant - C'est l'amour, l'amour vainqueur!
  4. La cenerentola (Cinderella), opera: Act 2. Rondò finale. Nacqui all'affanno e al pianto
  5. Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389: No. 1. Aria. Tarde, uma nuvem rósea lenta e transparente
  6. La Grande-Duchesse de Gérolstein, operetta in 3 acts: Act 2. No. 3a. Ch?ur, Récit et Rondeau. Portez armes! - Vous aimez le danger - Ah, que j'aime les m
  7. L'italiana in Algeri (The Italian Girl in Algiers), opera: Act 2. No. 11. Cavatina. Per lui che adoro
  8. El cant dels ocells, Spanish song
  9. Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Trio. Marie Theres! - Hab mir's gelobt
  10. Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 3. Duet. Ist ein Traum, kann nicht wirklich sein
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After discs for Ondine and Virgin, Latvian mezzo soprano Elina Garanca made her Deutsche Grammophon debut in late 2006 with this disc called Aria Cantilena after the first movement of Villa-Lobos' Bachianas brasileiras No. 5. For the most part, the then-30-year-old Garanca stuck with the lighter end of the French and Italian repertoire -- Massenet's Werther, Rossini's La Cenerentola, and Offenbach's Les Contes d'Hoffman -- flirted twice with the lighter end of the Spanish repertoire -- Chapi's Al pensar and Montsalvatge's ...

Aria Cantilena 2007, Deutsche Grammophon

UPC: 028947762317

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