With an active marketplace of over 175 million items, use the Alibris Advanced Search Page to find any item you are looking for.
Through the Advanced Search Page, you can find items by searching specific terms such as Title, Author, Subject, ISBN, etc or you can narrow your focus using our amazing set of criteria parameters.
Advanced Search Can Help Find What You Are Searching For
Use the Alibris Advanced Search Page to narrow your search criteria and find your item!
With an active marketplace of over 175 million items, use the Alibris Advanced Search Page to find any item you are looking for.
Through the Advanced Search, you can find items by searching specific terms such as Title, Artist, Song Title, Genre, etc or you can narrow your focus using our amazing set of criteria parameters.
Advanced Search Can Help Find What You Are Searching For
Use the Alibris Advanced Search Page to narrow your search criteria and find your item!
With an active marketplace of over 175 million items, use the Alibris Advanced Search Page to find any item you are looking for.
Through the Advanced Search, you can find items by searching specific terms such as Title, Director, Actor, Genre, etc or you can narrow your focus using our amazing set of criteria parameters.
Advanced Search Can Help Find What You Are Searching For
Use the Alibris Advanced Search Page to narrow your search criteria and find your item!
There are curiously few complete cycles of Beethoven's five sonatas for cello and piano, given that the five, unlike the violin sonatas, were almost equally distributed among the composer's early, middle, and late periods, and that each one was in its way a formally daring work. The last two sonatas in particular, with their mysteriously lyrical third relations and compact finales, fugal in the case of the Cello Sonata No. 5 in D major, Op. 102/2, might be regarded as having inaugurated Beethoven's late period. Cellist Jean ...
Read More
There are curiously few complete cycles of Beethoven's five sonatas for cello and piano, given that the five, unlike the violin sonatas, were almost equally distributed among the composer's early, middle, and late periods, and that each one was in its way a formally daring work. The last two sonatas in particular, with their mysteriously lyrical third relations and compact finales, fugal in the case of the Cello Sonata No. 5 in D major, Op. 102/2, might be regarded as having inaugurated Beethoven's late period. Cellist Jean-Guihen Queyras and pianist Alexander Melnikov (here playing a modern piano unlike on the trio recording the pair made with violinist Isabelle Faust) have an efficient, quick, tough style that beautifully fits these late sonatas. They do well in the two sonatas of Op. 5, not trying to impose an artificial shape on what must have been at the time shockingly long opening movements. The Cello Sonata No. 3 in A major, Op. 69, might want a bit more broad middle-period sweep and lyricism,...
Read Less