The four ballades of Chopin, more than the somewhat inaccurately named piano sonatas, are the composer's most complex works, both structurally and emotionally, and performances of them differ in substantial ways. They may emphasize sheer virtuosity, leading with Motorik rhythms in the big tunes toward blazing passages like the coda of the Ballade No. 4 in F minor, Op. 52. The Norwegian pianist Leif Ove Andsnes takes a different direction. He says that he has avoided playing the Ballades until he felt ready, and indeed his ...
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The four ballades of Chopin, more than the somewhat inaccurately named piano sonatas, are the composer's most complex works, both structurally and emotionally, and performances of them differ in substantial ways. They may emphasize sheer virtuosity, leading with Motorik rhythms in the big tunes toward blazing passages like the coda of the Ballade No. 4 in F minor, Op. 52. The Norwegian pianist Leif Ove Andsnes takes a different direction. He says that he has avoided playing the Ballades until he felt ready, and indeed his work here differs from his rather cool, clean way with Chopin in the past. "This is very personal music," he told Joshua Barone. "It's not so often that you hear such a confessional quality: Give space for that when you listen to it." It's good advice: Andsnes' Ballades are ongoing monologues, with meter deemphasized and the virtuoso passages coming as explosions of passion that, as often as not, don't lead anywhere. This is arch-Romantic pianism of the best kind, even if it's rather...
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