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A daring work of experimental, Modernist genius, James Joyce's Finnegans Wake is one of the greatest literary achievements of the twentieth century, and the crowning glory of Joyce's life. The Penguin Modern Classics edition of includes an introduction by Seamus Deane 'riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs' Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme ...
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A daring work of experimental, Modernist genius, James Joyce's Finnegans Wake is one of the greatest literary achievements of the twentieth century, and the crowning glory of Joyce's life. The Penguin Modern Classics edition of includes an introduction by Seamus Deane 'riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs' Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal - cultural, political and sexual - that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century. James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness. If you enjoyed Finnegans Wake, you might like Virginia Woolf's The Waves, also available in Penguin Classics. 'An extraordinary performance, a transcription into a miniaturized form of the whole western literary tradition' Seamus Deane
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Seller's Description:
Near Fine. First edition. Signed limited edition. Copy number 48 of 425 numbered copies signed by James Joyce. Bound in publisher's red cloth binding with spine lettered in gilt, in publisher's yellow cloth-covered slipcase. Near Fine. Red cloth faintly rubbed, faintly faded at the spine, gently bruised at the spine ends. Offsetting to front endsheet from a formerly laid in clipping. In a Very Good lightly worn and lightly soiled slipcase, with one corner bumped.
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Seller's Description:
Signed by Author(s) SIGNED LIMITED EDITION. This Limited Edition of 425 copies is SIGNED by James Joyce. A beautiful copy bound in the original red cloth with only slight wear to the edges. The binding is tight, with no cocking and the boards are crisp with slight wear. The pages are exceptionally clean and appears to be unread. There is no writing, marks or bookplates in the book. Overall, a sharp copy SIGNED by the author. We buy SIGNED James Joyce First Editions.
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Seller's Description:
First Signed limited edition. Octavo, original red cloth, titles to spine in gilt, top edge gilt, original publisher's yellow cloth slipcase. One of 425 numbered copies, this being number 251 signed by James Joyce on the limitation page. In fine condition, with the publishers slipcase. Housed in a custom half morocco clamshell box. A superior example. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear, in serialized form, in Parisian literary journals transatlantic review and transition, under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety, on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision, one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece", and wrote that "[if] aesthetic merit were ever again to center the canon [Finnegans Wake] would be as close as our chaos could come to the heights of Shakespeare and Dante." Modern Library named it one of the 100 best English-language novels of the 20th century.
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Seller's Description:
Very good(+) Tall 8vo, original brick red cloth, g.t., other edges uncut. London: Faber & Faber, 1939. Limited First Edition. Number 356 of only 425 numbered copies signed by Joyce. There is some residue from tape on the front & back fly-leaves, otherwise a nearly fine copy, in the original yellow cloth box which has very slight wear on the front edges.
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Seller's Description:
Touch of wear to the heel of the spine which is mildly sunned. Lacking the original slipcase but with a custom-made slipcase in its place. Near Fine in a Fine custom slipcase. Original red buckram with gilt lettering on the spine. Copy #222 of 425 numbered copies printed on handmade paper and SIGNED by the author on the limitation page. One of the most important books of modern English fiction, if not one of the more readable. "Joyce insisted that each word, each sentence had several meanings and that the 'ideal lecteur' should devote his lifetime to it, like the Koran" (Connolly, THE MODERN MOVEMENT, 81); "The greatest failure in literature" (Burgess, 99 NOVELS: THE BEST IN ENGLISH SINCE 1939, page 25).
1939, Faber & Faber Ltd. and The Viking Press, 1939.
Hardcover
Details:
Edition:
First Edition
Publisher:
Faber & Faber Ltd. and The Viking Press, 1939.
Published:
1939
Alibris ID:
11589113201
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Seller's Description:
Signed by Author James Joyce. FINNEGANS WAKE. Signed Limited Edition. London; Faber & Faber; New York, 1939. 4to., 260 x 171 mm [10 1/4 x 6 3/4"]. 4 p.l., [first blank], 628 pp. Original gilt titled brick red buckram, edges untrimmed. In the original [mildly soiled] yellow cloth slipcase which is in solid very good or better condition. Curiously with a possible original clear plastic dustwrapper not mentioned in the bibliography but for all intents and purposes, this wrapper has always been on the book. An extremely attractive example, spotless text block, neatly signed by Joyce on the limitation's page, number 216 of 425 copies only. -Slocum and Cahoon A49. Having exhausted all the possibilities of English in "Ulysses, " he had only one recourse for his next project, which was to create an entirely new language as a pastiche of all the existing ones; the result is "Finnegans Wake." The language in "Finnegans Wake" is a continuum of puns, portmanteaus, disfigured words, anagrams, and rare scraps of straightforward prose. What Joyce does is exploit the way words look and sound in order to associate them with remote, unrelated ideas. For example, his phrase "Olives, beets, kimmells, dollies" may sound familiar to those who happen to know that the first four letters of the Hebrew alphabet are aleph, bet, gimel, daled. "Psing a psalm of psexpeans, apocryphul of rhyme" recalls a nursery rhyme that may reside quietly in your most dormant memory cells, while "Where it is nobler in the main to supper than the boys and errors of outrager's virtue" sounds like a drunk auditioning for the role of Hamlet. Imaginary adjectives that pertain to letters of the English alphabet are employed to describe Dublin as a city "with a deltic origin and a nuinous end." "Finnegans Wake" is the ultimate in esoterica, and what you get out of it depends largely on your store of knowledge, so that upon completion, with a mutual wink at Joyce, you congratulate yourself for being so clever. In 1994, in The Western Canon, Harold Bloom wrote of Finnegans Wake: "[if] aesthetic merit were ever again to center the canon [it] would be as close as our chaos could come to the heights of Shakespeare and Dante, "
Publisher:
Faber & Faber; Viking Press, London New York
Published:
1939
Alibris ID:
14844115890
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Seller's Description:
As New. Signed by Author(s) Limited Edition of of 425 copies printed. This copy is authentically SIGNED by James Joyce in green ink on the limitation leaf. A magnificent copy. The book is in excellent condition and appears UNREAD. The book is bound in the ORIGINAL publisher's cloth. The binding is tight with NO cocking or leaning and the boards are crisp. There is NO writing, marks or bookplates in the book. Overall, a stunning copy with the publisher's slipcase SIGNED by the author. We buy SIGNED Joyce First Editions.
"The most unintelligible [writing] that anyone can understand," is a "wake-up call" to anyone interested in western culture, and/or entertained by deeply resounding wordplay, let alone pleased and astounded, reassured and frightened by the epiphanies and puzzles that arise out of dream fragments. FW is psychedelics out of a book - keep the bottle on your shelf. An alternate title might have been "My, My, My, What a Wonderful Fall." It helps to read the narrative aloud, as phrases tumble into rhythms that conjure meaning on the second or third bounce, not unlike nursery rhymes that even with the words changed are still recognizable for their cadence. Beyond the sounds and stories you will endure, there is history, speculation, editorial comment, and alternate takes, intermingled in a kaleidoscopic tumbling that leaves the reader literally breathless. Excerpt any passage, I challenge you, and perform it along with a light show, a soundscape, a chance choreography, and the collage will meld together better than the sum of its parts. FW is a handbook for the study of the brain as art. Thank you, Sean the Penman.
Maggy
Oct 21, 2007
Difficult, but Worth the Effort
Have you ever had a dream where you can remember the main idea, but you just can't remember the details? This novel is exactly like that. It's darn tough to read, but if you can get over the circular structure, foreign languages, Joyce-isms, and apparent indecipherability, you'll like it. If you need to understand every single thing in a book, don't read this; only James Joyce fully knows what every single detail signifies. The main idea: a dream, or a representation of nighttime.
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