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Lorenzo de? Medici and Maximilian I, 1450 ? 1519 - A. Fournes (sackbut); Beatrice Delpierre (alto); Beatrice Delpierre (soprano); Beatrice Delpierre (chalemie);...
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  1. Palle, Palle, song for 3 voices
  2. Parce Domine populo, motet for 4 voices
  3. La morra, song for 3 voices
  4. En l'ombre (Une musque; Sustinuimus pacem), song (motet) for 4 voices
  5. Innsbruck, ich muß dich lassen (ii), song for 4 voices
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  1. Palle, Palle, song for 3 voices
  2. Parce Domine populo, motet for 4 voices
  3. La morra, song for 3 voices
  4. En l'ombre (Une musque; Sustinuimus pacem), song (motet) for 4 voices
  5. Innsbruck, ich muß dich lassen (ii), song for 4 voices
  6. Hor'č di maggio, song for 4 voices (incomplete)
  7. A la battaglia, song for 4 voices
  8. Quis dabit capiti meo acquam, motet for 4 voices
  9. Sancti spiritus assit nobis gratia, motet for 4 voices
  10. Angeli, Archangeli/Comme femme, motet for 6 voices
  11. La mi la sol, in 4 parts (playable by instruments)
  12. Optime pastor, motet for 6 voices
  13. Mass Proper for Septuagesima Sunday, for 4 voices (Choralis Constantinus No. 33): Circumdederunt me gemitus mortis
  14. O Welt, ich muss dich lassen, song for 4 voices (=Innsbruck, ich muß dich lassen)
  15. Missa Virgo prudentissima, mass for 6 voices: Motet: Christus, filius Dei
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The Catalonian ensemble leader Jordi Savall and his bands of singers and musicians have tended to perform and record the music of southern Europe, with its rich multi-ethnic character. Here, however, in core Italian and central European repertory, they yield to no one with their deep contextual approach. Indeed, such an approach works especially well with Heinrich (or Henricus) Isaac, who traveled among several key musical capitals, and whose career intersected the great events of the age, including the heyday of the Medici ...

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Lorenzo de? Medici and Maximilian I, 1450 ? 1519 2017, Alia Vox

UPC: 8435408099226

CD