This book reveals the secrets of master art forger Eric Hebborn, who fooled the art world for more than 20 years with hundreds of fake "Old Masters". Drawings attributed to Bruegel, Piranesi, Corot and Augustus John were unmasked as Hebborn's work in 1980 by London journalist Geraldine Norman. In this book, Hebborn shows how he did it. Shortly before his death in 1996, Hebborn compiled this handbook, revealing the secrets of his techniques, and showing in the process a profound knowledge of the great draughtsmen/artists of ...
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This book reveals the secrets of master art forger Eric Hebborn, who fooled the art world for more than 20 years with hundreds of fake "Old Masters". Drawings attributed to Bruegel, Piranesi, Corot and Augustus John were unmasked as Hebborn's work in 1980 by London journalist Geraldine Norman. In this book, Hebborn shows how he did it. Shortly before his death in 1996, Hebborn compiled this handbook, revealing the secrets of his techniques, and showing in the process a profound knowledge of the great draughtsmen/artists of the past. Inks, papers, pigments, monograms and signatures are all explained and illustrated, and the tale is told in a witty, entertaining and often outrageous style, as the artist speculates on the nature of art, truth and value.
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Some b/w Illustrations. No Dust Jacket. Recipe book for Artists. Art History / Reference. In good condition, some wear to edges, as normal for age. Library pocket in back, but otherwise clean. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. About the author: Eric Hebborn was born in the London suburb of South Kensington to a Cockney family in 1934, although his mother was a gypsy. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this. [citation needed] Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15. Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the Academy, winning the Hacker Portrait prize and the Silver Award, and the Rome Scholarship in Engraving, a two year scholarship to the British School at Rome in 1959. [1] There he became part of the international art scene and formed acquaintances with many artists and art historians, including the British spy, Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career. Hebborn returned to London where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter them and improve them. George Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Eric's knowledge of painting and restoration destroyed the relationship between Aczel and Hebborn. Eric and his lover Graham David Smith also frequented a junk and antique shop near Leicester Square, where Eric befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop Eric began to understand more about paper, and its history and uses in art. It was on some of these blank, but old, pieces of paper that Eric made his first forgeries. His first true forgeries were pencil drawings after Augustus John and were based on a drawing of a child by Andrea Schiavone. Graham Smith states [2] that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms. Eventually Hebborn decided to settle in Italy with Graham, and they founded a private gallery there. Life as a forger When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's. According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to resemble the style of historical artists—and not slightly altered or combined copies of older work. In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi an established and reputable old-master dealer in London, one by Savelli Sperandio and the other by Francesco del Cossa. Oberhuber noticed that two drawings had been executed on the same kind of paper. Oberhuber was taken aback by the similarities of the paper used in the two pieces and decided to alert his colleagues in the art world. Upon finding another fake "Cossa" at the Morgan Library, this one having passed through the hands of at least three experts, Oberhuber contacted Colnaghi, the...
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Some b/w Illustrations. Good. No Dust Jacket. Recipe book for Artists. Art History / Reference. In good condition, some wear to edges, as normal for age. Library pocket in back, but otherwise clean. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. About the author: Eric Hebborn was born in the London suburb of South Kensington to a Cockney family in 1934, although his mother was a gypsy. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this. [citation needed] Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15. Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the Academy, winning the Hacker Portrait prize and the Silver Award, and the Rome Scholarship in Engraving, a two year scholarship to the British School at Rome in 1959. [1] There he became part of the international art scene and formed acquaintances with many artists and art historians, including the British spy, Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career. Hebborn returned to London where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter them and improve them. George Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Eric's knowledge of painting and restoration destroyed the relationship between Aczel and Hebborn. Eric and his lover Graham David Smith also frequented a junk and antique shop near Leicester Square, where Eric befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop Eric began to understand more about paper, and its history and uses in art. It was on some of these blank, but old, pieces of paper that Eric made his first forgeries. His first true forgeries were pencil drawings after Augustus John and were based on a drawing of a child by Andrea Schiavone. Graham Smith states [2] that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms. Eventually Hebborn decided to settle in Italy with Graham, and they founded a private gallery there. Life as a forger When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's. According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to resemble the style of historical artists—and not slightly altered or combined copies of older work. In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi an established and reputable old-master dealer in London, one by Savelli Sperandio and the other by Francesco del Cossa. Oberhuber noticed that two drawings had been executed on the same kind of paper. Oberhuber was taken aback by the similarities of the paper used in the two pieces and decided to alert his colleagues in the art world. Upon finding another fake "Cossa" at the Morgan Library, this one having passed through the hands of at least three experts, Oberhuber contacted Colnaghi, the...
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Seller's Description:
Some b/w Illustrations. Good. No Dust Jacket. Recipe book for Artists. Art History / Reference. In good condition, some wear to edges, as normal for age. Library pocket in back, but otherwise clean. Overall good copy of this scarce title. Excellent read. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. About the author: Eric Hebborn was born in the London suburb of South Kensington to a Cockney family in 1934, although his mother was a gypsy. According to his autobiography, his mother beat him constantly as a child. At the age of eight, he states that he set fire to his school and was sent to Longmoor reformatory in Harold Wood, although his sister Rosemary disputes this. [citation needed] Teachers encouraged his painting talent and he became connected to the Maldon Art Club, where he first exhibited at the age of 15. Hebborn attended Chelmsford Art School and Walthamstow Art School before attending the Royal Academy. He flourished at the Academy, winning the Hacker Portrait prize and the Silver Award, and the Rome Scholarship in Engraving, a two year scholarship to the British School at Rome in 1959. [1] There he became part of the international art scene and formed acquaintances with many artists and art historians, including the British spy, Sir Anthony Blunt in 1960, who told Hebborn that a couple of his drawings looked like Poussins. This sowed the seeds of his forgery career. Hebborn returned to London where he was hired by art restorer George Aczel. During his employ he was instructed not only to restore paintings, but to alter them and improve them. George Aczel graduated him from restoring existing paintings to "restoring" paintings on entirely blank canvases so that they could be sold for more money. A falling out over Eric's knowledge of painting and restoration destroyed the relationship between Aczel and Hebborn. Eric and his lover Graham David Smith also frequented a junk and antique shop near Leicester Square, where Eric befriended one of the owners, Marie Gray. In organizing the prints catalogued in the shop Eric began to understand more about paper, and its history and uses in art. It was on some of these blank, but old, pieces of paper that Eric made his first forgeries. His first true forgeries were pencil drawings after Augustus John and were based on a drawing of a child by Andrea Schiavone. Graham Smith states [2] that several of these were sold to their landlord Mr Davis, several to Bond Street galleries and two or three through Christie's sale rooms. Eventually Hebborn decided to settle in Italy with Graham, and they founded a private gallery there. Life as a forger When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi. Art historians such as Sir John Pope Hennessy declared his paintings to be both authentic and stylistically brilliant and his paintings were sold for tens of thousands of pounds through art auction houses, including Christie's. According to Hebborn himself, he had sold thousands of fake paintings, drawings and sculptures. Most of the drawings Hebborn created were his own work, made to resemble the style of historical artists—and not slightly altered or combined copies of older work. In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi an established and reputable old-master dealer in London, one by Savelli Sperandio and the other by Francesco del Cossa. Oberhuber noticed that two drawings had been executed on the same kind of paper. Oberhuber was taken aback by the similarities of the paper used in the two pieces and decided to alert his colleagues in the art world. Upon finding another fake "Cossa" at the Morgan Library, this one having passed through the hands of at least three experts, Oberhuber contacted Colnaghi, the...
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Seller's Description:
Near Fine Condition. 9781585676262. VG+ 1st impression 2004 Overlook paperback, illustrated, a terrific original study. Minimal page-edge spotting with a little corner and spine-end rubbing wear to cover, unmarked. Immediate dispatch Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; ISBN: 1585676268. ISBN/EAN: 9781585676262. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 080541.
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Near Very Fine. No Jacket, As Issued. 8vo. First edition thus. First English edition (UK). Trade softcover. Published London: Cassell, 1998, first printing. Large 8vo. wrappers, 6 1/4" x 9 1/4", xvii+200pp., illustrated with b/w and color plates. Near very fine, crisp, tight.
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Seller's Description:
Near Fine Condition in Very Good jacket. 9780304349142. Near Fine/VG-1997 reprint Cassell hardback, unclipped DJ in mylar protection with colour photo sections. Area of previous water stain around inside of base jacket spine, else near fine bright and unmarked. More Hebborn available. Immediate dispatch Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; ISBN: 0304349143. ISBN/EAN: 9780304349142. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 080540.
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Seller's Description:
Collectable-Very Good Condition in Very Good jacket. 9780304349142. VG-/VG 1st print Cassell hardback, unclipped DJ, with colour photo sections. 1cm surface scuff to lower front edge of board, corners pushed, some dulling to pages with inky mark to top of page block next to spine else tight and unmarked. More Hebborn available. Immediate dispatch Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; ISBN: 0304349143. ISBN/EAN: 9780304349142. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 080542.
