Billy Wilder's searing portrait of an alcoholic features an Oscar-winning performance by Ray Milland as Don Birnam, a writer whose lust for booze consumes his career, his life, and his loves. The story begins as Don and his brother Wick (Philip Terry) are packing their bags in their New York apartment, preparing for a weekend in the country. Philip, aware of his brother's drinking problem, is keeping an eye of him, making sure he doesn't sneak a drink before the departure of their train. Arriving at the apartment is Don's ...
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Billy Wilder's searing portrait of an alcoholic features an Oscar-winning performance by Ray Milland as Don Birnam, a writer whose lust for booze consumes his career, his life, and his loves. The story begins as Don and his brother Wick (Philip Terry) are packing their bags in their New York apartment, preparing for a weekend in the country. Philip, aware of his brother's drinking problem, is keeping an eye of him, making sure he doesn't sneak a drink before the departure of their train. Arriving at the apartment is Don's girlfriend, Helen St. James (Jane Wyman), who has tickets to a Carnegie Hall concert that night. Don persuades Wick and Helen to go to the concert without him, hoping to find one of his well-hidden bottles of booze. But when Wick and Helen go to the concert, Don discovers that Wick has gotten rid of the liquor. Don has no money, so he can't visit the neighborhood bar -- that is, until the cleaning lady arrives to reveal money hidden in a sugar-bowl. Don grabs the cash and hits the street, heading off to Nat's Bar. Nat (Howard Da Silva), a bartender who has seen it all, is surprised to see Don. But when Don shows he can pay for his drinks, Nat reluctantly serves him, telling Don, "One's too many and a thousand's not enough." Soon Don plunges in an alcoholic haze, his boozing landing him in a harrowing drunk tank, presided over by the cynical attendant Bim (Frank Faylen). Paul Brenner, Rovi
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Frank Orth, Lilian Fontaine, Anita. Good. 1945 Run time: 101. We have 1.5 million books to choose from--Ship within 24 hours--Satisfaction Guaranteed! We have 1.5 million books to choose from--Ship within 24 hours--Satisfaction Guaranteed!
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Ray Milland; Jane Wyman; Howard Da Silva; Phillip Terry; Doris Dowling. Very Good. In very good packaging. Run time: 100 mins. Language: English. The Lost Weekend [DVD]
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Good. Connecting viewers with great movies since 1972. All used discs are inspected and guaranteed. Used discs may not include digital copies. Customer service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Connecting viewers with great movies since 1972. All used discs are inspected and guaranteed. Used discs may not include digital copies. Customer service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Connecting viewers with great movies since 1972. All used discs are inspected and guaranteed. Used discs may not include digital copies. Customer service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Connecting viewers with great movies since 1972. All used discs are inspected and guaranteed. Used discs may not include digital copies. Customer service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Connecting viewers with great movies since 1972. All used discs are inspected and guaranteed. Used discs may not include digital copies. Customer service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
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Ray Milland, Jane Wyman, Howard Da Silva, Phillip Terry, Doris Dowling. New in new packaging. Language: English. Run time: 100 mins. Originally released: 1945. "I'm not a drinker--I'm a drunk." These words, and the serious message behind them, were still potent enough in 1945 to shock audiences flocking to The Lost Weekend. The speaker is Don Birnam (Ray Milland), a handsome, talented, articulate alcoholic. The writing team of producer Charles Brackett and director Billy Wilder pull no punches in their depiction of Birnam's massive weekend bender, a tailspin that finds him reeling from his favorite watering hole to Bellevue Hospital. Location shooting in New York helps the street-level atmosphere, especially a sequence in which Birnam, a budding writer, tries to hock his typewriter for booze money. He desperately staggers past shuttered storefronts--it's Yom Kippur, and the pawnshops are closed. Milland, previously known as a lightweight leading man (he'd starred in Wilder's hilarious The Major and the Minor three years earlier), burrows convincingly under the skin of the character, whether waxing poetic about the escape of drinking or screaming his lungs out in the D.T. 's sequence. Wilder, having just made the ultra-noir Double Indemnity, brought a new kind of frankness and darkness to Hollywood's treatment of a social problem. At first the film may have seemed too bold; Paramount Pictures nearly killed the release of the picture after it tested poorly with preview audiences. But once in release, The Lost Weekend became a substantial hit, and won four Oscars: for picture, director, screenplay, and actor.
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