An Old Memory (2019)

Consider Dylan Scott's Old Memory as a way for the baritone country singer to reconnect with his roots. Back in 2016, he fashioned himself as an R&B-country crooner, shifting away from the bro-country of his earliest recordings, but those two phases had one thing in common: they were pop-country eager to ride modern trends. That's not the case with Old Memory. Here, Scott pays tribute to Keith Whitley, a singer who is generally considered one of the finest hard country singers of the 1980s. Scott treats Whitley's songs with ... Read More

Consider Dylan Scott's Old Memory as a way for the baritone country singer to reconnect with his roots. Back in 2016, he fashioned himself as an R&B-country crooner, shifting away from the bro-country of his earliest recordings, but those two phases had one thing in common: they were pop-country eager to ride modern trends. That's not the case with Old Memory. Here, Scott pays tribute to Keith Whitley, a singer who is generally considered one of the finest hard country singers of the 1980s. Scott treats Whitley's songs with affection, arranging these seven tunes so they echo the spare, soft-focus originals without being overly faithful to the old records. His tenderness is also evident in his extension of invitations to Whitley's former wife Lorrie Morgan and the couple's son Jesse Keith to sing on the record. Morgan gets a moving spotlight on "Tell Lorrie I Love Her," the EP/mini-LP's closing song, which is one of two songs that weren't big hits on the Country charts. The rest of Old Memory is devoted to Whitley's biggest hits -- "Miami, My Amy," "Don't Close Your Eyes," "When You Say Nothing at Al," "Ten Feet Away" -- and they function not only as a tender tribute to an idol, but overdue confirmation of Scott's skills as a country singer. While he doesn't reinvent these songs, he does handle them with care and sings with feeling, which is enough to make Old Memory his finest recording yet. ~ Stephen Thomas Erlewine, Rovi Read Less