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Contralto - Alice Coquart (cello); Nathalie Stutzmann (contralto); Orfeo 55; Orfeo 55; Nathalie Stutzmann (conductor)
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  1. Tamerlano, opera, HWV 18: Act I, Scene 8: Dal crudel che m'ha tradita
  2. Meride e Selinunte, opera: Act II: Scene 13: Torbido intorno al core
  3. Ariodante, opera, HWV 33: Overture to Act II
  4. Rinaldo, opera, HWV 7: ActII: Scene 3: Mio cor, che mi sai dir?
  5. Tito Manlio (I), opera, RV 738: Act I: Scene 10: Di verde ulivo
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  1. Tamerlano, opera, HWV 18: Act I, Scene 8: Dal crudel che m'ha tradita
  2. Meride e Selinunte, opera: Act II: Scene 13: Torbido intorno al core
  3. Ariodante, opera, HWV 33: Overture to Act II
  4. Rinaldo, opera, HWV 7: ActII: Scene 3: Mio cor, che mi sai dir?
  5. Tito Manlio (I), opera, RV 738: Act I: Scene 10: Di verde ulivo
  6. Farnace, opera, RV 711: Act II: Scene 6: Gelido in ogni vena
  7. Berenice, Regina d'Egitto, opera, HWV 38: Sinfonia to Act II
  8. Semiramide riconosciuta, opera (1st version): Act II: Scene 12: Tradita, sprezzata
  9. Griselda, opera: Act II: Scene 10: Caro Addio, dal labbro amato
  10. Alessandro Severo, opera: Act III: Final Scene: Sinfonia
  11. Arminio, opera, HWV 36: Act I: Scene 6: Sento il cor per ogni lato
  12. Euristeo, opera: Act III: Scene 1: Sotto un faggio o lungo un rio
  13. Bajazet (Il Tamerlano), pasticcio opera, RV 703: Act III: Scene 14: Recitativo accompagnato & Aria: morto, s, tiranno
  14. Bajazet (Il Tamerlano), pasticcio opera, RV 703: Act III: Scene 14: Recitativo accompagnato & Aria: Svena, uccidi, abbatti, atterra
  15. Statira, opera: Act I: Scene 13: Mira d'entrambi il ciglio
  16. Amadigi di Gaula, opera, HWV 11: Overture: II. Gavotta
  17. La fede tradita e vendicata, opera: Act II: Scene 13: Empia mano
  18. Sosarme, re di Media, opera, HWV 30: Act II: Scene 12: Vado, vado al campo
  19. L'incoronazione di Dario, opera, RV 719: Sinfonia in C: I. Allegro
  20. L'incoronazione di Dario, opera, RV 719: Sinfonia in C: II. Andante e pianissimo
  21. L'incoronazione di Dario, opera, RV 719: Sinfonia in C: III. Presto
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Nathalie Stutzmann's Contralto is one of those albums where everything seems to go wrong until you realize that it's actually going very right. Conducting an ensemble and singing with it at the same time is just not done because it's well-nigh impossible, but Stutzmann makes her Orfeo 55 ensemble into an extension of herself. Stutzmann's interpretations are personal, which is not supposed to be part of the early music ethos, though she seems to put something of herself into every aria. With readings as subjective as this, ...

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