Add this copy of Douglas Gordon to cart. $12.58, good condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 2001 by MIT Press.
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This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1300grams, ISBN: 0262062224.
Add this copy of Douglas Gordon to cart. $17.43, good condition, Sold by Anybook rated 5.0 out of 5 stars, ships from Lincoln, UNITED KINGDOM, published 2001 by MIT Press.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 1350grams, ISBN: 0262062224.
Add this copy of Douglas Gordon to cart. $20.27, very good condition, Sold by Cornell Books rated 5.0 out of 5 stars, ships from Tewkesbury, UNITED KINGDOM, published 2001 by Los Angeles: The Museum of Contemporary Art, 2001.
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First edition (hardback). 4to (30cm by 23cm), 182pp. Illustrated throughout in colour. Original black boards, dustwrapper. The book and the dustwrapper are in very good condition. ISBN 0262062224.
Add this copy of Douglas Gordon to cart. $18.81, like new condition, Sold by Colin Martin Art Books rated 4.0 out of 5 stars, ships from HULL, EAST YORKSHIRE, UNITED KINGDOM, published 2001 by The MIT Press / Museum of Contemporary art Los Angeles.
Add this copy of Douglas Gordon (the Mit Press) to cart. $16.98, good condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2001 by The MIT Press.
Add this copy of Douglas Gordon (Moca, Los Angeles) to cart. $29.40, like new condition, Sold by Vincent Borrelli, Bookseller rated 5.0 out of 5 stars, ships from Albuquerque, NM, UNITED STATES, published 2001 by The Museum of Contemporary Art, Los Angeles (MOCA), and The MIT Press.
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Seller's Description:
Fine in Fine jacket. First edition, first printing. Hardcover. Textured black paper-covered boards, with photographically illustrated dust jacket. Photographs and video by Douglas Gordon. Essays by Michael Darling, Russell Ferguson, Francis McKee and Nancy Spector. Interview with the artist by David Sylvester. Includes a selected bibliography and a list of works. 184 pp., with four-color plates throughout. 12 x 9-1/4 inches. Published on the occasion of an exhibition organized by Russell Ferguson at the Museum of Contemporary Art, Los Angeles, which traveled to other venues. Fine in Fine dust jacket.
Add this copy of Douglas Gordon (the Mit Press) to cart. $31.00, very good condition, Sold by Arundel Books rated 5.0 out of 5 stars, ships from Seattle, WA, UNITED STATES, published 2001 by The MIT Press.
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Near Fine in Near Fine jacket. 4to-over 9¾"-12" Tall (tall). Slight rubbing to jacket (chiefly at edges); else a near fine copy internally. 183, [1] pages. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001-January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Foreword by Jeremy Strick; editor's acknowledgments; essays by Ferguson, Michael Darling and 2 others; artist's interview by David Sylvester; selected bibliography. Over 100 Color Photographs.
Add this copy of Douglas Gordon to cart. $31.50, like new condition, Sold by Hennessey + Ingalls rated 5.0 out of 5 stars, ships from Los Angeles, CA, UNITED STATES, published 2001 by MIT Press (MA).
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Used-Like New. This book examines the innovative work of thirty-four-year-old Scottishartist Douglas Gordon. Gordon is perhaps best known for installations that featureclassic films by directors such as Alfred Hitchcock, Otto Preminger, and MartinScorsese. In each of these works the original film has been manipulated--sloweddown, mirrored by the use of split screen or dual projection, or had its soundtrackaltered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a surveyof Gordon's work at the Museum of Contemporary Art in Los Angeles, the book featuresessays by MOCA assistant curator Michael Darling, exhibition curator RussellFerguson, Scottish novelist Francis McKee, and Guggenheim Museum curator NancySpector. Darling's essay places Gordon's work in the context of the Romantictradition. Ferguson's essay looks at Gordon's work to date. It focuses on the issueof trust as it weaves its way from early works such as the performance/installationTrust Me, through his tattoo and instruction works, to more recent works such asFeature Film, which incorporates the Hitchcock film Vertigo. McKee compiles Gordon'sliterary sources into a kind of hybridized text. Spector's essay focuses on theautobiographical nature of Gordon's oeuvre, showing how he shifts between revealingdetails of his personal life--for example, the ongoing List of Names lists all thepeople he has met in a given period of time---and obscuring other aspects of hisidentity. Designed by the studio of Bruce Mau in close collaboration with Gordonhimself, this book promises to be the definitive reference on one of today's mostexciting young artists. A survey of the work of the Scottish artist Douglas Gordon. Out of print. Creasing and/or tears on dust jacket.