Some electronica producers spend their entire careers building up a roster of instruments, legions of samples, and more gear than any bedroom studio could possibly fit. Jamie Lidell has apparently been reducing not only his equipment list to its basics, but his production style, so it includes a minimum of things that you need to program (much less plug in). Of course, that jives with his gradual blossoming as an unhinged soul singer on 2005's Multiply, which has only blossomed further for 2008's Jim, a neo-soul record that ...
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Some electronica producers spend their entire careers building up a roster of instruments, legions of samples, and more gear than any bedroom studio could possibly fit. Jamie Lidell has apparently been reducing not only his equipment list to its basics, but his production style, so it includes a minimum of things that you need to program (much less plug in). Of course, that jives with his gradual blossoming as an unhinged soul singer on 2005's Multiply, which has only blossomed further for 2008's Jim, a neo-soul record that sounds like it was recorded live, in the kind of studio that each of the album's seven to eight musicians actually could fit into. Part of this is the result of Lidell and co-producer Mocky's ability to record so well that the production doesn't stand out by itself, but simply works as a vehicle for the songs. On a performance level, Lidell mostly avoids the pitfalls of Multiply, where he sounded faithful but not always sincere. On Jim he's not only writing better songs, but performing them as though he's lived them (this is where a good hands-off production can improve the proceedings). It doesn't really matter whether Lidell's rebirth as a soul singer is an example of an artist following his muse or simply looking for a way out of electronica, when the results motivate your body as well as "Out of My System" or move your heart as well as "All I Wanna Do." Jim is most reminiscent of the Southern deep soul of the late '60s, although recorded so well (and so dry) that it betrays its lineage. That sound is a good complement to the other British soul stalwarts with retro-soul and -funk leanings, from Lewis Taylor to Jamiroquai to the Cinematic Orchestra (and, for that matter, including Joss Stone and Amy Winehouse as well). Add to that an assortment of unobtrusive guests (including Nikka Costa, Gonzales, Peaches, and Alex Acuņa) doing great work, and the result is a record that reveals soul and sincerity. ~ John Bush, Rovi
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Add this copy of Jim to cart. $25.86, new condition, Sold by Entertainment by Post - UK rated 4.0 out of 5 stars, ships from BRISTOL, SOUTH GLOS, UNITED KINGDOM, published 2008 by Warp.
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Seller's Description:
Beck; Beck/Lidell/Salole; Lidell/Salole; Lidell/Salole/Vida. Very Good. Used-Very Good Condition. Case and disc(s) is in great condition with no significant scratches or marks. Includes original artwork and liner notes when applicable.
Add this copy of Jim to cart. $6.99, very good condition, Sold by HPB-Movies rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2008 by Warp Records.
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Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
Add this copy of Jim to cart. $13.99, good condition, Sold by Music Fiendz rated 5.0 out of 5 stars, ships from South Hackensack, NJ, UNITED STATES, published 2008 by Warp Records.
Add this copy of Jim to cart. $29.46, new condition, Sold by newtownvideo rated 4.0 out of 5 stars, ships from huntingdon valley, PA, UNITED STATES, published 2008 by Warp Records.