Sonya Kelliher-Combs offers a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context. Her combination of shared iconography with intensely personal imagery demonstrates the generative power that each vocabulary has over the other. Similarly, her use of synthetic, organic, traditional and modern materials moves beyond oppositions between Western/Native culture, self/other and man/nature, to examine their interrelationships and interdependence while also questioning accepted notions of ...
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Sonya Kelliher-Combs offers a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context. Her combination of shared iconography with intensely personal imagery demonstrates the generative power that each vocabulary has over the other. Similarly, her use of synthetic, organic, traditional and modern materials moves beyond oppositions between Western/Native culture, self/other and man/nature, to examine their interrelationships and interdependence while also questioning accepted notions of beauty. Kelliher-Combs' process dialogues the relationship of her work to skin, the surface by which an individual is mediated in culture. Sonya Kelliher-Combs was raised in the Northwest Alaska community of Nome. Her Bachelor of Fine Arts degree is from the University of Alaska Fairbanks and Master of Fine Arts is from Arizona State University. Through her mixed media painting and sculpture, Kelliher-Combs offers a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context. Her combination of shared iconography with intensely personal imagery demonstrates the generative power that each vocabulary has over the other. Similarly, her use of synthetic, organic, traditional and modern materials moves beyond oppositions between Western/Native culture, self/other and man/nature, to examine their interrelationships and interdependence while also questioning accepted notions of beauty. Kelliher-Combs' process dialogues the relationship of her work to skin, the surface by which an individual is mediated in culture. Kelliher-Combs' work has been shown in numerous individual and group exhibitions in Alaska, the United States and internationally, including the national exhibition Changing Hands 2: Art without Reservation and SITELINES: Much Wider Than a Line. She is a recipient of the prestigious United States Arts Fellowship, Joan Mitchell Fellowship, Eiteljorg Fellowship for Native American Fine Art, and a Rasmuson Fellowship. Her work is included in the collections of the IAIA Museum of Contemporary Native Art, Anchorage Museum, Alaska State Museum, University of Alaska Museum of the North, Eiteljorg Museum, and The National Museum of the American Indian. Kelliher-Combs currently lives and works in Anchorage, Alaska.
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Add this copy of Mark to cart. $46.87, new condition, Sold by Books2anywhere rated 5.0 out of 5 stars, ships from Fairford, GLOUCESTERSHIRE, UNITED KINGDOM, published 2024 by Hirmer Verlag GmbH.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Add this copy of Mark: Sonya Kelliher-Combs to cart. $24.42, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2024 by Hirmer Publishers.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
Add this copy of Mark: Sonya Kelliher-Combs to cart. $43.75, like new condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 5.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2024 by Hirmer Verlag / Anchorage, AK / Cuno Druck.
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As new. Quarto. Hardcover. Pictorial matte boards. No jacket, as issued. 239 pages: color illustrations, color portraits; 30 cm. "Artist Sonya Kelliher-Combs creates works embedded in cultural values and knowledge. Mark speaks to Alaska, colonization, and the resilience and sovreignty of Indigenous people. Land is at the center of the work, with materials derived from subsistence, marked by experience, historical tragedies and traumas, human and non-human agents, and self. The work honors what is harvested, respects what the natural world provides, and celebrates family and community."--Back cover. Artist's statement--Artist's statement [translated into] Iñupiaq--Artist's statement [translated into] Koyukon Athabascan--Introduction--Buried and exposed: land in the work of Sonya Kelliher-Combs / Julie Decker--Perseverance, continuity, ingenuity: Sonya Kelliher-Combs' community-centered practice / by Heather Igloliorte--Sonya Kelliher-Combs / by Laura Phipps--gathering buoyant / by Tanya Lukin Linklater--Interview / by Candice Hopkins--Works--Drawings--Paintings--Poe / by Taqralik Partridge--For Loretta, for Cindy / by Taqralik Partridge--Sea Woman / by Taqralik Patridge.
Add this copy of Mark Format: Hardback to cart. $53.13, new condition, Sold by indoo rated 5.0 out of 5 stars, ships from Avenel, NJ, UNITED STATES, published 2024 by Hirmer Verlag.
Add this copy of Mark: Sonya Kelliher-Combs to cart. $57.00, new condition, Sold by Exquisite Corpse Booksellers rated 5.0 out of 5 stars, ships from Houston, TX, UNITED STATES, published 2024 by Hirmer Verlag, Munich.
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