Mozart: Piano Trios

Mozart's piano trios begin to bridge the gap between the older treatment of piano solo with string accompaniment and what was to become the complete independence of parts achieved by Beethoven's time. This Centaur album features the bookends of Mozart's contributions along this continuum. It begins with the B flat major Divertimento, K. 254, Mozart's first composition for this instrumental configuration. The program then jumps to the Trio in E major, K. 542, and proceeds with his final three piano trios. While listeners ... Read More

Mozart's piano trios begin to bridge the gap between the older treatment of piano solo with string accompaniment and what was to become the complete independence of parts achieved by Beethoven's time. This Centaur album features the bookends of Mozart's contributions along this continuum. It begins with the B flat major Divertimento, K. 254, Mozart's first composition for this instrumental configuration. The program then jumps to the Trio in E major, K. 542, and proceeds with his final three piano trios. While listeners will notice the gradual liberation of the strings from servitude to the piano, the cello never quite breaks free from its more submissive role as it does with later composers. Performing here are pianist Byron Schenkman, violinist Gabriela Díaz, and Alexei Yupanqui Gonzales. Of the three, Schenkman's playing comes across as the most "Mozartian": playful, spontaneous, clean, and elegant. The two string players do not quite manage to imitate Schenkman's style, instead favoring a heavier,... Read Less