Polish Harpsichord Music, Vol. 1 (2009)

It's not at all clear whether this release delivers the promised Polish harpsichord music, but the music contained herein is nonetheless interesting. Composer Józef Elsner was born in 1769, and the sonatas and dances on the program come from a pair of publications that appeared in 1803 and 1805. Harpsichordist Urszula Bartkiewicz argues in her own notes (in Polish and English) that either a harpsichord or a piano might have been used for this music, but she cites no evidence that a harpsichord would have been a common ... Read More

It's not at all clear whether this release delivers the promised Polish harpsichord music, but the music contained herein is nonetheless interesting. Composer Józef Elsner was born in 1769, and the sonatas and dances on the program come from a pair of publications that appeared in 1803 and 1805. Harpsichordist Urszula Bartkiewicz argues in her own notes (in Polish and English) that either a harpsichord or a piano might have been used for this music, but she cites no evidence that a harpsichord would have been a common choice for ambitious works like the sonatas here at this late date. She does mention a publication of some songs that may be accompanied by either clavichord or guitar, but this has limited relevance to the harpsichord/fortepiano question. The stylistic point of reference for the sonatas is, as Bartkiewicz points out, the world of Mozart and Haydn, but they contain some bravura passages that might have been products of the following generation of keyboard composers. At times the effect is... Read Less