Rauschenberg's inventive contemporaneous interpretation of Dante's Inferno Between 1958 and 1960, Robert Rauschenberg produced a series of 34 drawings, one for each Canto, or section, of Dante's poem The Inferno (1308-1321). Together they are a virtual encyclopedia of modern-day imagery, made by transferring photographic reproductions from magazines or newspapers onto the drawing surface. "I think a picture is more like the real world when it's made out of the real world," Rauschenberg said. With additional imagery in ...
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Rauschenberg's inventive contemporaneous interpretation of Dante's Inferno Between 1958 and 1960, Robert Rauschenberg produced a series of 34 drawings, one for each Canto, or section, of Dante's poem The Inferno (1308-1321). Together they are a virtual encyclopedia of modern-day imagery, made by transferring photographic reproductions from magazines or newspapers onto the drawing surface. "I think a picture is more like the real world when it's made out of the real world," Rauschenberg said. With additional imagery in pencil, crayon, pastel and collage, the drawings reflect Rauschenberg's desire to infiltrate his art with the scenes and sounds of the surrounding world, a radical departure from the more transcendent ambitions of Abstract Expressionism. Published in conjunction with the first major retrospective on Rauschenberg's career since the artist's death in 2008, this book presents the complete set of 34 drawings, with an introduction by curator Leah Dickerman and newly commissioned poetry from Kevin Young and Robin Coste Lewis, each reflecting on a selection of drawings and their corresponding Cantos.
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Add this copy of Robert Rauschenberg: Thirty-Four Illustrations for to cart. $28.00, new condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 5.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 2017 by The Museum of Modern Art.
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New in shrinkwrap. Color-illustrated wraps with brown and white lettering. 104 pp. Mainly color illustrations. Robert Rauschenberg worked in a wide range of mediums including painting, sculpture, prints, photography, and performance, over the span of six decades. He emerged on the American art scene at the time that Abstract Expressionism was dominant, and through the course of his practice he challenged the gestural abstract painting and the model of the heroic, self-expressive artist championed by that movement. Photography and printmaking were two of Rauschenberg's abiding interests. In the 1958? 60 series based on the thirty-four Cantos of Dante's 'Inferno' (346.1963.1-34), he used a solvent to transfer photographs from contemporary magazines and newspapers onto drawing paper. The series is emblematic of a lifetime of experimentation with the ways the deluge of images in modern media culture could be transmitted and transformed. -FirstSearch.
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