Stenhammar: Symphony No. 2; Serenade (2018)

Wilhelm Stenhammar (1871-1927) was perhaps Sweden's foremost orchestral composer, roughly a contemporary of Sibelius. The Symphony No. 2 in G minor, Op. 34, heard here was influenced by the mighty Finn, and although Stenhammar did not make groundbreaking formal discoveries like Sibelius or Nielsen, the work has compelling outer movements with an opening low string melody you'll remember, and a big fugal finale that packs a punch. Even better is the colorful five-movement Serenade in F major, Op. 31, done with a light touch ... Read More

Wilhelm Stenhammar (1871-1927) was perhaps Sweden's foremost orchestral composer, roughly a contemporary of Sibelius. The Symphony No. 2 in G minor, Op. 34, heard here was influenced by the mighty Finn, and although Stenhammar did not make groundbreaking formal discoveries like Sibelius or Nielsen, the work has compelling outer movements with an opening low string melody you'll remember, and a big fugal finale that packs a punch. Even better is the colorful five-movement Serenade in F major, Op. 31, done with a light touch here by the nonagenarian Herbert Blomstedt (90 is the new 65) and the Gothenburg Symphony Orchestra, where Stenhammar himself was music director not too long before Blomstedt was born. So it's safe to say that the musicians have these pieces in their bones. The ease shows especially in the Serenade, a work not often heard outside Sweden and one that will fill many a slot in collections of Scandinavian music. You might find sleeker string work in some of the other recordings of the... Read Less