A major monument, Luca Signorelli's Orvieto Cathedral frescoes rendered with vigor and invective the most ambitious consideration of the Apocalypse and the Last Judgment in Italian Renaissance art. In a fresh interpretation of these frescoes, Jonathan Riess explores the intriguing, violent style and complex iconography and places the works in their richly faceted historical setting. Begun by Fra Angelico in 1447 and completed by Signorelli at the turn of the century, the frescoes reflect the turmoil within the Papal States, ...
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A major monument, Luca Signorelli's Orvieto Cathedral frescoes rendered with vigor and invective the most ambitious consideration of the Apocalypse and the Last Judgment in Italian Renaissance art. In a fresh interpretation of these frescoes, Jonathan Riess explores the intriguing, violent style and complex iconography and places the works in their richly faceted historical setting. Begun by Fra Angelico in 1447 and completed by Signorelli at the turn of the century, the frescoes reflect the turmoil within the Papal States, the suffering brought on by a surge of natural disasters, the fear of the Turks, and the anti-Judaic campaigns of the day. The book centers on the mural depicting the Rule of Antichrist , the single monumental portrayal of the subject during the Renaissance and a revealing indicator of widespread apocalyptic obsessions. Drawing on historical, theological, literary, and artistic sources, Riess examines the reasons behind the commissioning of the murals and considers the broad meaning of the program. The Rule of Antichrist , for example, is seen as a summa of the doom-laden worlds of Rome and Orvieto and as a blistering condemnation of the political realm. Signorelli's references to Dante, Virgil, and Cicero and to contemporary theology and dramatic performances come into play as Riess interprets the monument as a representation of the struggle between a penitential Christianity and the forces of heresy and tyranny.
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Add this copy of The Renaissance Antichrist to cart. $82.38, good condition, Sold by Blue Vase Books rated 5.0 out of 5 stars, ships from Interlochen, MI, UNITED STATES, published 1995 by Princeton University Press.
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Seller's Description:
The item shows wear from consistent use but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover if applicable. Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs access code or other supplemental materials.
Add this copy of The Renaissance Antichrist to cart. $137.00, very good condition, Sold by Michael Knight, Bookseller rated 5.0 out of 5 stars, ships from Forest Grove, OR, UNITED STATES, published 1995 by Princeton University Press.
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Very Good jacket. First Edition. 1st edition, 1st printing with complete number line. Hardcover with very good dust-jacket. Clean and solid. No tears, stains, or odors. NOT a book club edition. NOT ex-library. Hand-wrapped and packaged in cardboard.
Add this copy of The Renaissance Antichrist to cart. $177.13, new condition, Sold by GridFreed rated 5.0 out of 5 stars, ships from San Diego, CA, UNITED STATES, published 1995 by Princeton University Press.
Add this copy of The Renaissance Antichrist to cart. $155.89, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Santa Clarita, CA, UNITED STATES, published 1995 by Princeton University Press.
Add this copy of The Renaissance Antichrist to cart. $215.36, new condition, Sold by Just one more Chapter rated 4.0 out of 5 stars, ships from Miramar, FL, UNITED STATES, published 1995 by Princeton University Press.
