This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity ...
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This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as "a particle of the conflict of the region", to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by "strata of antitheses [which] reveal themselves as a matrix running through the work", as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography. In some ways, this extraordinary body of work is a departure from Struth's traditional practice: all exposures are related to one single geographical and political reality, as if Struth found every aspect of his photographic vision in one place, and as though Israel and the West Bank were a geographical container for the scope of the human condition. German photographer Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of cities, landscapes, portraits, and architectural interiors. He trained at the Kunstakademie D???sseldorf (1973-80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule f???r Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including Thomas Struth: Photographs 1978-2010 (2010), and Thomas Struth: Unconscious Places (2012).
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Add this copy of Thomas Struth to cart. $85.22, new condition, Sold by Artdata rated 4.0 out of 5 stars, ships from London, ENGLAND, UNITED KINGDOM, published 2017 by Schirmer/Mosel Verlag GmbH.
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Thomas Struth. Fine in fine jacket. A monograph of the photographer's work with reproductions in color and black & white. Tall 4to, turquoise boards, glossy dust wrapper. New York: Distributed Art Publisher's Inc., (2017). Fine. Signed by Struth on flyleaf.
Add this copy of Thomas Struth to cart. $67.34, fair condition, Sold by Midtown Scholar Bookstore rated 5.0 out of 5 stars, ships from Harrisburg, PA, UNITED STATES, published 2017 by D.A. P.
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Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
Add this copy of Thomas Struth (Galerie Max Hetzler) [Signed] to cart. $175.00, like new condition, Sold by Vincent Borrelli, Bookseller rated 5.0 out of 5 stars, ships from Albuquerque, NM, UNITED STATES, published 2001 by Galerie Max Hetzler and Schirmer/Mosel, München.
Edition:
2001, Galerie Max Hetzler and Schirmer/Mosel, München
Publisher:
Galerie Max Hetzler and Schirmer/Mosel, München
Published:
2001
Alibris ID:
12857964334
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Seller's Description:
Fine. No dust jacket as issued. First edition, first printing. Signed in pencil on the title page by Struth. Soft cover. Photographically illustrated stiff wrappers (with partial printed paper dust jacket attached). Photographs and text (in German) by Thomas Struth. Essay (in German) by Julian Heynen. 20 pp., with 7 four-color plates. 12-3/4 x 16-1/4 inches. Fine. Published on the occasion of an exhibition at Galerie Max Hetzler, Berlin. Signed by Author.
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New. 1910164127. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened-Text in English and German. --with a bonus offer--
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