Explores how the Renaissance artist Hans Holbein the Younger came to develop his mature artistic styles through the key historical contexts framing his work: the controversies of the Reformation and Renaissance debates about rhetoric.
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Explores how the Renaissance artist Hans Holbein the Younger came to develop his mature artistic styles through the key historical contexts framing his work: the controversies of the Reformation and Renaissance debates about rhetoric.
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Add this copy of Translating Nature Into Art: Holbein, the Reformation, to cart. $62.60, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Santa Clarita, CA, UNITED STATES, published 2011 by Penn State University Press.
Add this copy of Translating Nature Into Art: Holbein, the Reformation, to cart. $67.00, like new condition, Sold by Argosy Book Store rated 5.0 out of 5 stars, ships from New York, NY, UNITED STATES, published 2011 by Pennsylvania State University.
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Fine in fine jacket. Illustrations in both color and black-and-white. xvii + 244 pages, large 8vo, green cloth, dust wrapper. University Park: The Pennsylvania State University Press, (2011). A fine copy in original publishers shrinkwrap.
Add this copy of Translating Nature Into Art Holbein, the Reformation, to cart. $91.00, new condition, Sold by Pegasusbooks rated 4.0 out of 5 stars, ships from Farmington Hills, MI, UNITED STATES, published 2011 by Penn State University Press.
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New in New dust jacket. 0271036923. Color Illustrations; 10.2 X 8.3 X 1.0 inches; 244 pages; Hard cover is green cloth with gold lettering on spine. DJ. NEW, sealed in publisher's shrinkwrap. Magnificently illustrated with works by the great master, Holbein. 'Hans Holbein the Younger is best known for his work in Henry VIII's England, where he painted portraits and designed decorative objects for courtly circles. England, however, only accounts for half of Holbein's working life. He developed his artistic identity on the Continent, creating a diverse range of artworks for urban elites, scholars, and publishers. Translating Nature into Art argues that by the time Holbein reached England, he had developed two roughly alternative styles of representation: a highly descriptive and objective mode, which he used for most of his portraiture, and a much more stylized and inventive manner, which he applied primarily to religious, historical, and decorative subjects. Jeanne Nuechterlein contends that when Holbein used his stylized manner, he acknowledged that he was the inventor of the image; when Holbein painted a portrait or a religious work in the objective manner, he implied instead that he was observing something in front of him and reproducing what he saw. By establishing this dialectic, Holbein was actively engaging in one of the central debates of the Reformation era concerning the nature and validity of the visible world. Holbein explored how much art should look like the visible world, and in the process discovered alternative ways of making representation meaningful'. Bibliography; index.
Add this copy of Translating Nature Into Art: Holbein, the Reformation, to cart. $97.07, new condition, Sold by Just one more Chapter rated 4.0 out of 5 stars, ships from Miramar, FL, UNITED STATES, published 2011 by Penn State University Press.
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Add this copy of Translating Nature Into Art: Holbein, the Reformation, to cart. $115.52, new condition, Sold by Basi6 International rated 5.0 out of 5 stars, ships from Irving, TX, UNITED STATES, published 2011 by Penn State University Press.
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