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51. Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up
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52. Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up
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53. The Little Database: a Poetics of Media Formats (Electronic Mediations) (Volume 64)
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54. Online Museum Collections and Social Media: Modes of Knowing About, With, and Through Digital Image Curation
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55. Online Museum Collections and Social Media: Modes of Knowing About, With, and Through Digital Image Curation (Edition Museum)
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56. Digital Asset Management for Museums
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57. Visualizing Film History: Film Archives and Digital Scholarship
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58. Online Museum Collections and Social Media: Modes of Knowing About, With, and Through Digital Image Curation
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59. Online Museum Collections and Social Media
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60. Visualizing Film History: Film Archives and Digital Scholarship
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61. Archival Materialities in a Digital Age (Proceedings of the British Academy: Themed Volumes of Essays in the Humanities and Social Sciences, 269)
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63. New Technologies and Renaissance Studies IV
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64. New Technologies and Renaissance Studies IV: The Changing Shape of Digital Early Modern Studies Volume 12
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65. Online Museum Collections and Social Media: Modes of Knowing About, With, and Through Digital Image Curation
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66. Towards a Film Theory From Below: Archival Film and the Aesthetics of the Crack-Up (Thinking Media)
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67. New Technologies and Renaissance Studies IV: The Changing Shape of Digital Early Modern Studies Volume 12
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68. Visualizing Film History: Film Archives and Digital Scholarship
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