Haydn: String Quartets, Op. 17 (2009)

Despite the success of Haydn's Op. 1 and Op. 2 quartets, issued as divertimenti a quattro, it took the composer some years to return to the quartet medium. When he finally got the chance, he issued three sets of quartets, Opp. 9, 17, and 20, within the space of three years. These were still termed divertimenti a quattro, but they were full of experiment at every level and really were the works that laid the groundwork for the persistence of the string quartet genre. The Op. 17 set recorded here by the historically oriented ... Read More

Despite the success of Haydn's Op. 1 and Op. 2 quartets, issued as divertimenti a quattro, it took the composer some years to return to the quartet medium. When he finally got the chance, he issued three sets of quartets, Opp. 9, 17, and 20, within the space of three years. These were still termed divertimenti a quattro, but they were full of experiment at every level and really were the works that laid the groundwork for the persistence of the string quartet genre. The Op. 17 set recorded here by the historically oriented London Haydn Quartet was composed with a virtuoso first violinist in mind (Luigi Tomasini, the imported leader of the Esterháza court orchestra), and Haydn beautifully balances the requirement for prominent first-violin writing (melodic rather than explicitly virtuosic) with his evolving conception of the quartet as a meeting of equals. The London Haydn Quartet aptly captures the imagination and humor so often associated with this effort, but the most striking feature of the... Read Less