Unlike his symphonies, the string quartets of Dmitry Shostakovich were not evenly distributed over his career; all but two date from after World War II. Shostakovich turned in earnest to the genre during his years of conflict with Soviet authorities, and they are remarkable documents of one of the greatest and most universal themes of his music, the experience of being forced to become inward. The String Quartet No. 5 in B flat, Op. 92, was written for a small group of Shostakovich's associates shortly after his ...
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Unlike his symphonies, the string quartets of Dmitry Shostakovich were not evenly distributed over his career; all but two date from after World War II. Shostakovich turned in earnest to the genre during his years of conflict with Soviet authorities, and they are remarkable documents of one of the greatest and most universal themes of his music, the experience of being forced to become inward. The String Quartet No. 5 in B flat, Op. 92, was written for a small group of Shostakovich's associates shortly after his denunciation by Stalin's cultural commissars; it was not intended for public performance. Significantly, it introduces the signature D-S-C-H motif that runs like a thread through the composer's later music. The other three Shostakovich quartets here appeared under more favorable circumstances, but the String Quartet No. 6 in G major, Op. 101, and String Quartet No. 7 in F sharp minor, Op. 108, are cut from the same cloth as the earlier work; all have deeply despondent slow movements and outer...
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Add this copy of Soviet Experience, Vol. 1: Shostakovich & Myaskovsky to cart. $43.37, new condition, Sold by Entertainment by Post - UK rated 4.0 out of 5 stars, ships from BRISTOL, SOUTH GLOS, UNITED KINGDOM, published 2011 by Cedille Records.
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