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Peter Maxwell Davies: Strathclyde Concertos Nos. 9 & 10; Carolísima (1997)
performed by Alison Green (contrabassoon), David Nicholson (piccolo), Elisabeth Dooner (flute), Josef Pacewicz (clarinet), Maurice Checker (cor anglais), Ruth Ellis (clarinet), Scottish Chamber Orchestra, Peter Maxwell Davies (conductor)
composed by Peter Maxwell Davies -
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Peter Maxwell Davies: Symphonies Nos. 4 & 5
performed by Peter Maxwell Davies (conductor)
composed by Peter Maxwell Davies -
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Peter Maxwell Davies: The Beltane Fire; The Turn of the Tide; Sir Charles his Pavan (2014)
performed by Manchester Cathedral Choir (choir, chorus), Manchester Cathedral Choir (boy's choir), Manchester Cathedral Girls' Choir (girl's choir), Manchester Grammar School Choir (choir, chorus), BBC Philharmonic Orchestra, Peter Maxwell Davies (conductor)
composed by Peter Maxwell Davies -
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Renaissance & Baroque Realisations (1991)
performed by Alexander Baillie (cello), Beverley Davison (viola), Beverley Davison (violin), David Campbell (clarinet), Fires of London, Greg Knowles (percussion), Mary Thomas (soprano), Philippa Davies (flute), Philippa Davies (flute), Philippa Davies (piccolo)
composed by Henry Purcell, Johann Sebastian Bach, John Dunstable, Peter Maxwell Davies -
Peter Maxwell Davies: Miss Donnithorne's Maggot; Eight Songs for a Mad King (1987)
performed by Alan Hacker (clarinet), David Campbell (clarinet), Duncan Druce (violin), Fires of London, Greg Knowles (percussion), Jennifer Ward Clarke (cello), Jonathan Williams (cello), Judith Pearce (flute), Julius Eastman (baritone), Mary Thomas (mezzo-soprano)
composed by Peter Maxwell Davies -
Peter Maxwell Davies: Resurrection (2014)
performed by Christopher Robson (counter tenor), Della Jones (mezzo-soprano), Electronic Vocal Quartet, Gerald Finley (baritone), Henry Herford (baritone), Jonathan Best (bass), Martyn Hill (tenor), Mary Carewe (vocals), Neil Jenkins (tenor)
composed by Peter Maxwell Davies -
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Maxwell Davies: Symphony No. 1 (1996)
performed by Peter Maxwell Davies (conductor)
composed by Peter Maxwell Davies
